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Vivian Browne, Bini Apron, 1973.

Vivian Browne: My Kind of Protest

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Special Exhibition
Abstract painting with pastel colors and various shapes and marks

Vivian Browne: My Kind of Protest

Special Exhibition
Shikeith, Visiting Hours, 2022

Essex Hemphill: Take care of your blessings

Community Exhibition
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imPRESSED: Emerging Artists in Ink

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Archiving for Artists

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Third Thursday

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Living Room
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Acts of Art in Greenwich Village with Howard Singerman

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2026 Juried Invitational

Open Call for Artists

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Paid Fellowship

2025-26 Applications Now Open

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Reexamining Our Permanent Collection

Seeing U.S. Research Project

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15-min talks Thu-Sun, 1 & 1:30 pm

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Arts and culture on demand

Bloomberg Connects

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Collection Highlights

Collection Highlights Images
Rush Baker's View from Charleston Harbor painting
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Collection Highlights Recent Acquisitions
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Collection Highlights Rothko Room
Collection Highlights Luncheon of the Boating Party
Collection Highlights Laib Wax Room
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On the Experiment Station

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Collection, From the Archives
Collection item 2138

From the Archives: Taro Yashima

Education & Community Engagement, Exhibitions & Events
Shawn Martinbrough and Chantel Bennet chatting in the Brotherman to Batman exhibition

Beyond the Cape: Redefining comics with Shawn Martinbrough

Education & Community Engagement
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Sharing the Healing Power of Art

Education & Community Engagement
Hands-on with Graffiti painting workshop participants

Getting Hands-On with Graffiti Painting at Phillips@THEARC

People & Community
Spring 2025 interns standing in the conservation studio

Meet Our Spring 2025 Interns

People & Community
Collage of 3 photos of the Jack Boul painting displayed at the 2025 MA Celebration Event

Celebrating the Art of Being a Museum Assistant

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Danielle Orchard, Sight Rhyme I, 2024.

The Phillips Collects: Danielle Orchard

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Installation view of artworks by Binion and Beynon on the wall, Soares in the middle of the gallery

Engaging the Body

Exhibitions & Events
Brotherman to Batman installation photo

Coming Together for Brotherman and Batman

In the News

Vivian Browne, For You, 1974, Oil on canvas, 46 3/4 x 50 3/4 in., Courtesy of Adobe Krow Archives, Los Angeles, and RYAN LEE Gallery, New York. © Vivian Browne; Text overlay reads 'She Didn't Want To Be Boxed In. So She Painted Out, Angelica Hankins, The Washington Post.'
A jambon-beurre sandwich on a baguette and a latte sit on a café table. Overlaid text reads: “The 5 Best Museum Cafés in D.C. – Tom Sietsema, The Washington Post.”
An image of Essex Hemphill speaking into a microphone on stage with text overlay that reads "A Living Archive: Curator Camille Brown and Photographer Clifford Prince King on Essex Hemphill's Legacy / Lia Latty / Black Is Magazine"
Joyce Wellman, Someone Different, 1989, Oil paint stick on paper drawing, 50 x 38 in., Courtesy of the artist. Text overlay reads 'The D.C. poet whose 'brazen' work inspired generations of artists, Angelica Hankins, The Washington Post'
Installation image of an art gallery with text overlay that reads 'Essex Hemphill's poetic impact on the visual arts is celebrating in moving 'Take Care of Your Blessings' exhibition, Kyle Jackson, Queerty
Image of an African American man sitting in a chair, smoking a cigarette. Text overlay reads "Essex Hemphill and the Washington DC That Was, Ian Bourland, FRIEZE"
Art Nouveau poster of a woman with text overlay that reads 'Timeless Mucha: The Magic of Line' Review: Free-Flowing Style at The Phillips Collection, Lance Esplund, The Wall Street Journal
Alphonse Mucha, “Zodiac,” 1896. Color lithograph. (Collection of the Mucha Trust) with text overlay that reads "The Turbulent Beauty of Art Nouveau is Still All Over Culture, Angelica Hankins, The Washington Post'
Man and woman looking at a red and orange painting with text overlay that reads 'Explore the Not-So-Hidden Gems from DC's The Phillips Collection, Robert Aubry Davis, WETA'
Black and white pencil caricature drawing with text overlay that reads 'William Gropper: Artist of the People, Margot Yale, The Brooklyn Rail.'
Photography of a blue sky and white clouds. A blue sea with three small boats. Text overlay reads "A Window into Joel Meyerowitz | The Phillips Collection, Fiona Perkocha, Musee Magazine'
An art gallery with multicolored collage hang on the wall. Text overlay reads "A Major Survey of Black Collage Art Proves That Print Isn't Dead, Alex Greenberger, ARTNEWS"
Photo of a woman holding and pointing at a picture to a group of children. Text overlay reads 'Meet the Docents: How to Introduce 5th Graders to Complex Topics in Fine Art, Elliot Williams, WAMU'
Painting of a nude woman reclining on a bed, next to a window overlooking a river. Text overlay reads 'Everything Changed for Matisse After He Painted This Nude, Sebastian Smee, The Washington Post."
Person cleans a landscape painting with a cotton swab. Text overlay reads, 'Up Close with Paul Cezanne Review: News Perspectives on a Provencal Master, Mary Tompkins Lewis, The Wall Street Journal'
Installation image of Bonnard's Worlds. Text overlay reads, 'Pierre Bonnard's Dazzling World of Color at the Phillips Collection | Around Town Best Bets, Philippa Hughes, WETA PBS'
Installation image of drawings hung against a cream colored wall. Text overlay reads Bernardí Roig: el artista que decapitó a Goya, Borja Hermoso, El País
Drawing of a woman playing in the water with text overlay. Caption reads "'Interior Lives' at Phillips@THEARC Explores The Black Femme Experience During Women's Month" Andrew S. Jacobson The Washington Informer
Painting showing green trees and blue pool and sky with text overlaid reading: The Repetitive Power of Jennifer Bartlett, Master of the '80s Art World Kriston Capps The Washington Post
Renoir's Luncheon of the Boating Party, Capturing the Height of the Summer Leisure / Hesper Cane / Widewalls
Text in front of black and white collage reads, "The Phillips Collection Showcases "African Modernism in America, 1947-67" Peter Winant WETA
Alone in a Room with Rothko. Adam Rathe. Town & Country
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Promo for article about Phillips centennial in New York Times by Kerry Hannon
Promo for Seeing Differently review in The Washington Post by Philip Kennicott

Centennial Commissions

Wesley Clark

Victor Ekpuk

Nekisha Durrett

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