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Tomorrow the Sun Will Rise Juried Exhibition

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Living Room
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Documenting the Collection

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Phillips@THEARC
Art-Play-Practice installation at THEARC

Art-Play-Practice Open Play Hours

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Community Exhibition
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Creative Aging

Special Exhibition
Tomorrow the Sun Will Rise

Tomorrow the Sun Will Rise

Upcoming Exhibitions & Events

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Living Room
Promo for Greg Jallat Living Room

Documenting the Collection

Registration Open / In-Person

Member Morning
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Tomorrow the Sun Will Rise Member Morning

Registration Open / Free / Members / In-Person

Phillips after 5
Heavy Metal Stack: Fat Cyan Three, 2018

Phillips Flash

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Phillips Music

Announcing the 2026-27 Season of Phillips Music

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Phillips@THEARC

Introducing Art-Play-Practice

Educators observing a large painting, led by a Phillips educator

Spotlight Talks

15-min talks Thu-Sun, 1 & 1:30 pm

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Arts and culture on demand

Bloomberg Connects

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Watch & Listen

Enjoy lectures, artist talks, plays, videos about our exhibitions and collection, and more on our YouTube channel.

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Jeffrey Gibson's My heart beats for the one I love
Collection Highlights Recent Acquisitions
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Collection Highlights The Migration Series
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Collection Highlights Rothko Room
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Collection Highlights Luncheon of the Boating Party
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Collection Highlights Laib Wax Room

On the Experiment Station

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Collection, Phillips Music
Ben Shahn, Still Music, 1948, Casein on fabric mounted on plywood panel, 48 x 83 1/2 in

How The Phillips Collection Exhibits Music Through Art 

Exhibitions & Events
Oil on aluminum

Tomorrow the Sun Will Rise: Kyle Hackett

Exhibitions & Events
Engraving on aluminum

Tomorrow the Sun Will Rise: Sharon Cheuk Wun Lee

Exhibitions & Events
Collage of found imagery and family photographs on paper

Tomorrow the Sun Will Rise: Bria Sterling-Wilson

Exhibitions & Events
Acrylic on canvas

Tomorrow the Sun Will Rise: Se Jong Cho

Exhibitions & Events
Kei Ito (Baltimore, MD) Sungazing Scroll 2024 Chromogenic photogram, sunlight, and artist’s breath 60 x 12 x 6 in.

Tomorrow the Sun Will Rise: Kei Ito

Exhibitions & Events
Cyanotype fluid on paper

Tomorrow the Sun Will Rise: Kara Braciale

Exhibitions & Events
Oil, acrylic, and vinyl letters on wood panel

Tomorrow the Sun Will Rise: Margaret Murphy

Exhibitions & Events
Photo printed on paper, acrylic, oil pastel on canvas

Tomorrow the Sun Will Rise: Ei Myat Noe Khin

In the News

Mary Early, Línea XV, 2026, Beeswax and cotton, Dimensions variable. Text overlay reads "The Phillips Collection's New Exhibit Puts Local Artists on a Global Stage, Elliot Williams, The 51st"
Gail Shaw-Clemons, Shorthand Revisited, 2025, Charbonnel Aqua Wash printing ink on 100% rag paper. Text overlay reads "Tomorrow the Sun Will Rise Offers a Timely Look at the Local Art World, Stephanie Rudig, Washington City Paper."
Mojdeh Rezaeipour, California Classroom Solidarities: Jin Jiyan Azadi, 2022-26, Video installation, blackboard, acrylic and spray paint on classroom desk chairs, shelf, postcards, pencils, and mailbox. Text overlay reads "This New Exhibition Showcases 'The Best' of DMV Artists Right Now, Tristan Espinoza, CityCast DC"
Kei Ito, Sungazing Scroll, 2024, Chromogenic photogram, sunlight, and artist’s breath, 60 x 12 x 6 in. Text overlay reads "15 Local Artists Chosen for Prestigious DC Show Exploring Recent US History, Mary Carole McCauley, The Baltimore Sun"
Art-Play-Practice Installation, Photo: AK Blythe. Text overlay reads "Play it Again, Sam, Stephanie Rudig, Washington City Paper"
Joan Miró, Woman and Birds at Sunrise, 1946, Oil on canvas, 21 1/4 × 25 1/2 in., Fundació Joan Miró, Barcelona, On loan from a private collection © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2026. Text overlay reads "Reflecting in the Capital: a Q&A with the Curators of 'Miró and the United States' Michael Anthony Farley, BMoreArt
Adolph Gottlieb, Vigil, 1948, Oil on canvas, 36 1/8 x 48 in., Whitney Museum of American Art, New York; Purchase 49.2 © 2026 Adolph and Esther Gottlieb Foundation / Artists Rights Society (ARS), NY. Text overlay reads "An Invitation Into Joan Miró's Imagination, Dian Parker, Art & Object."
Joan Miró in Carl Holty’s studio, in front of the mural painting for the Terrace Plaza Hotel in Cincinnati, 1947 Photo: Arnold Newman © Arnold Newman / Getty Images. Text overlay reads "Joan Miró's Joy Is As Infectious As Ever, Dian Parker, Observer."
Installation image of "Miró and the United States." Photo: Lee Stalsworth. Text overlay reads "I'll Be Your Miró, Mark Jenkins, DisCerning Eye"
Joan Miró, Woman and Birds at Sunrise, 1946, Oil on canvas, 21 1/4 × 25 1/2 in., Fundació Joan Miró, Barcelona, On loan from a private collection © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2026. Text overlay "No. 760: Miró and the US, Parasol Press, Tyler Green, The Modern Art Notes Podcast
Joan Miró, The Red Sun, 1948, Oil on canvas, 36 1/4 × 28 3/4 in. (92 × 73 cm), The Phillips Collection, Washington, DC, Acquired 1951 © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2025; Text overlay reads "Phillips Collection maps Joan Miró’s transatlantic legacy in new exhibition, Mackenzie Weinger, The Washington Diplomat"
Helen Frankenthaler, Canyon, 1965, Acrylic on canvas, 44×52in., The Phillips Collection, The Dreier Fund for Acquisitions and funds given by Gifford Phillips, 2001 © 2026 Helen Frankenthaler Foundation, Inc. /Artists Rights Society (ARS), New York; Text overlay reads "Miró Helped Shape Modern Art. The U.S. Helped Shape Miró., Vanessa Larson, The Washington Post."
Joan Miró, Figure, Bird in the Night II, 1972, Fundació Joan Miró, Barcelona. Text overlay reads "Admiring Miró, Karen Wilkin, The New Criterion"
Installation image of "Miró and the United States." Photo: Lee Stalsworth. Text overlay reads "Miró at The Phillips Collection, Richard Selden, The Georgetower."
Man looking at The Red Sun by Joan Miró. Text overlay reads "The relationship between Miró and the United States comes to Washington with an exhibition of 75 works, EFE News Agency"
Joan Miró, The Red Sun, 1948, Oil on canvas, 36 1/4 × 28 3/4 in. (92 × 73 cm), The Phillips Collection, Washington, DC, Acquired 1951 © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2025; text overlay reads "An Exhibition on Miró’s time in the United States and His Relationship with Various Artists Opens in Washington, TV3"
Joan Miró in Carl Holty’s studio, in front of the mural painting for the Terrace Plaza Hotel in Cincinnati, 1947 Photo: Arnold Newman © Arnold Newman / Getty Images. Text overlay reads "How Joan Miró and America Were Made for Each Other, Alice Gauvin, The New York Sun"
Joan Miró, Painting (Fratellini) (detail), 1927, Oil and aqueous medium on canvas , 51 1/4 × 38 1/4 in., Philadelphia Museum of Art: A. E. Gallatin Collection, 1952-16-1, © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2026. Text overlay reads "Miró Meets America: Exploring Artistic Exchange and Influence, Mia Pech, The Georgetowner."
peter campus, blessingway (video still), 2024, Videograph, 6:37 minute loop, Courtesy of the artist and Cristin Tierney Gallery. Text overlay reads "At 88, peter campus Swaps Youthful Ego for Late-Style Modesty, Emily Watlington, Art in America"
Rik Freeman, Wenceslau with text overlay that reads "Rik Freeman's Personal Touch, Kaila Philo, Washington City Paper"
Vivian Browne, Bini Apron, 1973, Acrylic on canvas, 49 3/4 x 51 3/4 in., The Phillips Collection, Washington, DC, Gift of Adobe Krow Archives for Vivian Browne, Los Angeles. Image courtesy of RYAN LEE Gallery, New York, 2024. © Vivian Browne; text overlay reads "Vivian Browne's Lessons in Flipping the Script, Grace Byron, Frieze"
Lyle Ashton Harris, The Watering Hole III (detail), 1996, The Museum of Modern Art; text overlay reads "Essex Hemphill's Love Knew No Bounds, Michael Londres, Aperture"
A jambon-beurre sandwich on a baguette and a latte sit on a café table. Overlaid text reads: “The 5 Best Museum Cafés in D.C. – Tom Sietsema, The Washington Post.”
An image of Essex Hemphill speaking into a microphone on stage with text overlay that reads "A Living Archive: Curator Camille Brown and Photographer Clifford Prince King on Essex Hemphill's Legacy / Lia Latty / Black Is Magazine"
Alphonse Mucha, “Zodiac,” 1896. Color lithograph. (Collection of the Mucha Trust) with text overlay that reads "The Turbulent Beauty of Art Nouveau is Still All Over Culture, Angelica Hankins, The Washington Post'
Man and woman looking at a red and orange painting with text overlay that reads 'Explore the Not-So-Hidden Gems from DC's The Phillips Collection, Robert Aubry Davis, WETA'
Photo of a woman holding and pointing at a picture to a group of children. Text overlay reads 'Meet the Docents: How to Introduce 5th Graders to Complex Topics in Fine Art, Elliot Williams, WAMU'
Painting of a nude woman reclining on a bed, next to a window overlooking a river. Text overlay reads 'Everything Changed for Matisse After He Painted This Nude, Sebastian Smee, The Washington Post."
Person cleans a landscape painting with a cotton swab. Text overlay reads, 'Up Close with Paul Cezanne Review: News Perspectives on a Provencal Master, Mary Tompkins Lewis, The Wall Street Journal'
Installation image of Bonnard's Worlds. Text overlay reads, 'Pierre Bonnard's Dazzling World of Color at the Phillips Collection | Around Town Best Bets, Philippa Hughes, WETA PBS'
Installation image of drawings hung against a cream colored wall. Text overlay reads Bernardí Roig: el artista que decapitó a Goya, Borja Hermoso, El País
Drawing of a woman playing in the water with text overlay. Caption reads "'Interior Lives' at Phillips@THEARC Explores The Black Femme Experience During Women's Month" Andrew S. Jacobson The Washington Informer
Renoir's Luncheon of the Boating Party, Capturing the Height of the Summer Leisure / Hesper Cane / Widewalls
Alone in a Room with Rothko. Adam Rathe. Town & Country
Promo for article about Phillips centennial in New York Times by Kerry Hannon
Promo for Seeing Differently review in The Washington Post by Philip Kennicott

Centennial Commissions

Wesley Clark

Victor Ekpuk

Nekisha Durrett

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