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Dr. Kate E. Cowcher to Join the UMD Center for Art and Knowledge at The Phillips Collection as the 2017–18 Postdoctoral Fellow in Modern and Contemporary Art History WASHINGTON, DC, and COLLEGE PARK, MD—The University of Maryland Center for Art and Knowledge at The Phillips Collection has awarded its 2017–18 Fellowship in Modern and Contemporary Art History to Dr. Kate E. Cowcher, a 2017 graduate of Stanford University and scholar of art in Africa during the Cold War. “We are thrilled to have Dr. Kate E. Cowcher as our next postdoctoral fellow in modern and contemporary art history,” said Dr

PostClassical Ensemble examines the transformation of black spirituals into songs for the white concert stage through the musical adaptations and arrangements by composer Harry Burleigh. Readings of W.E.B Du Bois, Langston Hughes, and Zora Neale Thurston explore the tensions and questions of the fate of the spiritual in the context of the Harlem Renaissance.

WASHINGTON—The Phillips Collection is pleased to announce Riffs and Relations: African American Artists and the European Modernist Tradition, a pioneering exhibition expanding the narrative of modern art in America by exploring the rich and complex history of 20th– and 21st–century African American artists and their responses to European modernism. Organized by guest curator Dr. Adrienne L. Childs and The Phillips Collection, Riffs and Relations will be on view exclusively at The Phillips Collection from February 29–May 24, 2020. “We are proud to feature this groundbreaking exhibition at The

Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death.