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Vijay Iyer & Craig Taborn, piano duo

piano duo

Sunday Concert

Livestream with Ticket Reservation

Registration Open / Online / In-Person

Buy a Virtual Ticket
$15 for virtual tickets | $10 for members
(in-person tickets on sale Jan. 3)
$45 for general tickets | $25 for members
Photo of Craig Taborn and Vijay Iyer

Vijay Iyer and Craig Taborn, two of creative music’s most resourceful players, learned to meld and mesh their artistic approaches inside Roscoe Mitchell’s Note Factory ensemble (as documented on Mitchell’s 2007 recording Far Side). Since then, Iyer and Taborn have continued to play concerts together. In March 2018 they released the album Transitory Poems, recorded live at the Franz Liszt Academy, Budapest. A marvel of shared invention, it incorporates pieces offered as tributes to formative influences including pianists Cecil Taylor, Muhal Richard Abrams and Geri Allen, and the painter and sculptor Jack Whitten.

This event will be broadcast live from the Music Room on Sunday, April 3 at 4 PM. To reserve a ticket, follow the link above to register. All registered ticket holders will receive a link directing them to a livestream webpage where the performance can be accessed. Ticket holders will be able to watch this performance “On Demand” for 48 hours following the broadcast time. 

IN PERSON AUDIENCES: KNOW BEFORE YOU GO
  • Concert guests 12 years of age and over must show proof of vaccination or a same-day negative COVID-19 test.
  • Concert guests over the age of two must wear a face mask covering their nose and mouth at all times, regardless of their vaccination status.
  • The Music Room is now able to operate at 1/2 capacity. However, given the intimate nature of the setting, we can no longer follow strict social distancing guidelines. All in-person guests may be seated next to, in front of, or behind other vaccinated and masked concert guests.

Composer-pianist VIJAY IYER (pronounced “VID-jay EYE-yer”) has carved out a unique path as an influential, prolific, shape-shifting presence in modern music. He was described by Pitchfork as "one of the best in the world at what he does," by The Los Angeles Weekly as “a boundless and deeply important young star,” by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway,” and by Minnesota Public Radio as “an American treasure.” A musical innovator, an active collaborator, and a member of multiple artistic communities, Iyer continues to reimagine the role of the musician in the 21st century.

Iyer has been voted DownBeat Magazine's Artist of the Year four times - in 2018, 2016, 2015 and 2012 - and Artist of the Year in Jazz Times' Critics' and Readers' Polls for 2017. Iyer was named a 2017 United States Artists Fellow, a 2013 MacArthur Fellow, and a 2012 Doris Duke Performing Artist. He holds a lifetime appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, with a joint affiliation with the Department of Music and the Department of African and African American Studies.

The New York Times observed, “There’s probably no frame wide enough to encompass the creative output of the pianist Vijay Iyer.” Iyer has released twenty-three albums covering remarkably diverse terrain, most recently for the ECM label. 2019 brings the release of The Transitory Poems, a live two-piano improvisation with Iyer’s longtime colleague and label-mate, Craig Taborn. Prior to that, Iyer’s sextet album Far From Over(2017) was ranked #1 in US National Public Radio's annual Jazz Critics' Poll, surveying 157 critics. It was named among the best jazz albums of the year in The Los Angeles TimesChicago TribuneBoston GlobeSlate, and The New York Times, and the only “jazz release” in Rolling Stone’s list of the 50 best records of 2017. Iyer’s Sextet was voted 2018 Jazz Group of the Year by the Jazz Journalists Association.

Iyer’s previous ECM releases include A Cosmic Rhythm With Each Stroke (2016), a collaboration with Iyer’s “hero, friend and teacher,” Wadada Leo Smith, which The Los Angeles Times calls “haunting, meditative and transportive”; Break Stuff (2015), with a coveted five-star rating in DownBeat Magazine, featuring the Vijay Iyer Trio, hailed by PopMatters as “the best band in jazz”; Mutations (2014), featuring Iyer’s music for piano, string quartet and electronics, which “extends and deepens his range... showing a delicate, shimmering, translucent side of his playing” (Chicago Tribune); and Radhe Radhe: Rites of Holi (2014), “his most challenging and impressive work, the scintillating score to a compelling film by Prashant Bhargava” (DownBeat), performed by International Contemporary Ensemble and released on DVD and BluRay

Iyer’s trio (Iyer, piano; Marcus Gilmore, drums; Stephan Crump, bass) made its name with three tremendously acclaimed and influential albums: Break Stuff (2015), Accelerando (2012) and Historicity(2009). Accelerando was voted #1 Jazz Album of the Year for 2012 in three separate critics polls surveying hundreds of critics worldwide, hosted by DownBeatJazz Times, and Rhapsody, respectively, and also was chosen as jazz album of the year by NPR, The Los Angeles Times, PopMatters, and Amazon.com. The Vijay Iyer Trio was named 2015 Jazz Group of the year in the DownBeat International Critics Poll, with Iyer having earlier received an unprecedented “quintuple crown” in the 2012 Downbeat Poll (winning Jazz Artist of the Year, Pianist of the Year, Jazz Album of the Year, Jazz Group of the Year, and Rising Star Composer categories), as well as a “quadruple crown” in the JazzTimes extended critics poll (winning Artist of the Year, Acoustic/Mainstream Group of the Year, Pianist of the Year, and Album of the Year). Iyer received the 2012 and 2013 Pianist of the Year Awards and the 2010 Musician of the Year Award from the Jazz Journalists Association, and the 2013 ECHO Award (the “German Grammy”) for best international pianist. Historicitywas a 2010 Grammy Nominee for Best Instrumental Jazz Album, and was named #1 Jazz Album of 2009 in The New York TimesThe Los Angeles TimesThe Chicago TribuneThe Detroit Metro Times, National Public Radio, PopMatters.com, The Village Voice Jazz Critics Poll, and the Downbeat International Critics Poll, and the trio won the 2010 ECHO Award for best international ensemble.

Iyer’s 2013 collaboration with poet Mike Ladd, "Holding It Down: The Veterans’ Dreams Project," based on the dreams of veterans of color from America’s wars in Iraq and Afghanistan, was hailed as #1 Jazz Album of the Year by The Los Angeles Times and described in JazzTimes as “impassioned, haunting, [and] affecting.” Along with their previous projects "In What Language?" (2004) and "Still Life with Commentator" (2007), "Holding It Down" rounded out a trilogy of politically searing albums about post-9/11 American life. These projects were hailed as “unfailingly imaginative and significant” (JazzTimes) and praised for their “powerful narrative invention and ravishing trance-jazz... an eloquent tribute to the stubborn, regenerative powers of the human spirit” (Rolling Stone).

Iyer's musical accomplishments extend well beyond his recordings. His recent composer commissions include “Crisis Modes” (2019) for the LA Philharmonic’s Green Umbrellas Series; “Torque” (2018) written for So Percussion; “Asunder” (2017) written for Orpheus Chamber Orchestra and St. Paul Chamber Orchestra; “Trouble” (2017) for Violin and Orchestra, written for Jennifer Koh and premiered at Ojai and Tanglewood Music Festivals; “City of Sand” (2017) for A Far Cry plus members of Silk Road Ensemble; “Run,” a solo cello overture to Bach’s Suite in C Major, written for Matt Haimovitz and recorded on his Overtures to Bach (2016); “Bridgetower Fantasy” (2015) for violin and piano, a companion piece to Beethoven’s “Kreutzer” Sonata, written for Ms. Koh and Shai Wosner; “Playlist for an Extreme Occasion” (2012) written for Silk Road Ensemble (and released on their 2013 album A Playlist without Borders); “Dig The Say,” written for Brooklyn Rider and released on their 2014 album Almanac; “Mozart Effects” (2011) and “Time, Place, Action” (2014) for Brentano String Quartet; “Bruits" (2014) for Imani Winds and pianist Cory Smythe; “Rimpa Transcriptions” (2012) written for Bang on a Can All-Stars; “UnEasy” (2011) commissioned by NYC’s Summerstage in collaboration with choreographer Karole Armitage; “Three Fragments” (2011) for Darcy James Argue’s Secret Society. His orchestral work "Interventions" was commissioned and premiered by the American Composers Orchestra in 2007 under the baton of Dennis Russell Davies. It was praised by The New York Times as “all spiky and sonorous,” and by The Philadelphia City Paper for its “heft and dramatic vision and a daring sense of soundscape.” Other works include "Mutations I-X" (2005) commissioned and premiered by the string quartet ETHEL; “Three Episodes for Wind Quintet” (1999) written for Imani Winds; a “ravishing” (Variety) score for the original theater/dance work "Betrothed" (2007); the award-winning film score for "Teza" (2008) by legendary filmmaker Haile Gerima; a suite of acoustic jazz cues for the sports channel ESPN (2009); and the prize-winning audiovisual installation "Release" (2010) in collaboration with filmmaker Bill Morrison. Forthcoming commissions include pieces for Jennifer Koh, Orpheus Chamber Orchestra, and So Percussion. His concert works are published by Schott Music. An active electronic musician and producer, Iyer displays his digital audio artistry on his own recordings "Still Life with Commentator," "Holding it Down," "Mutations," and "Radhe Radhe," and in his remixes for British Asian electronica pioneer Talvin Singh, Islamic punk band The Kominas, and composer-performer Meredith Monk.

Iyer was voted the 2010 Musician of the Year by the Jazz Journalists Association, and named one of 2011’s “50 Most Influential Global Indians” by GQ India. Other honors include the Greenfield Prize, the Alpert Award in the Arts, the New York Foundation for the Arts Fellowship, the India Abroad Publisher’s Special Award for Excellence, and numerous critics’ prizes.

Iyer’s many collaborators include creative music pioneers Steve Coleman, Wadada Leo Smith, Roscoe Mitchell, Butch Morris, George Lewis, Amina Claudine Myers, William Parker, Graham Haynes, Miya Masaoka, Pamela Z, John Zorn; next-generation artists Rudresh Mahanthappa, Rez Abbasi, Craig Taborn, Ambrose Akinmusire, Liberty Ellman, Steve Lehman, Matana Roberts, Tyshawn Sorey; Dead Prez, DJ Spooky, Himanshu Suri of Das Racist, HPrizm of Antipop Consortium, DJ Val Jeanty, Karsh Kale, Suphala, Imani Uzuri, and Talvin Singh; filmmakers Haile Gerima, Prashant Bhargava, and Bill Morrison; choreographer Karole Armitage; novelist and essayist Teju Cole; and poets Mike Ladd, Amiri Baraka, Charles Simic, and Robert Pinsky.

A polymath whose career has spanned the sciences, the humanities, and the arts, Iyer received an interdisciplinary Ph.D. in the cognitive science of music from the University of California, Berkeley. He has published in Journal of Consciousness StudiesWireMusic PerceptionJazzTimesJournal of the Society for American MusicCritical Studies in Improvisation, in the anthologies Arcana IVSound UnboundUptown ConversationThe Best Writing on Mathematics: 2010, and The Oxford Handbook of Critical Improvisation Studies. Prior to his permanent appointment at Harvard in 2014, Iyer taught at Manhattan School of Music, New York University, and the New School.

He is the Director of The Banff Centre’s International Workshop in Jazz and Creative Music, an annual 3-week program in Alberta, Canada. Iyer has served as Artistic Director of the Banff International Workshop in Jazz and Creative Music since 2013. He has been featured as Artist-in-Residence at the Metropolitan Museum of Art (New York), Wigmore Hall (London), the Molde Jazz Festival (Molde, Norway), SF Jazz, and Jazz Middelheim (Antwerp, Belgium), and served as Music Director for the 2017 Ojai Music Festival in southern California. He will be the Composer-in-Residence at Wigmore Hall for 2019-20. He is a Steinway artist and uses Ableton Live software.

“There’s probably no frame wide enough to encompass the creative output of the pianist Vijay Iyer.” – The New York Times

“Trailblazing... one of his generation’s brightest jazz luminaries” - Time Out New York “One of the world’s most inventive new-generation jazz pianists” – Guardian (UK)

“[one of] today’s most important pianists... extravagantly gifted... brilliantly eclectic” – The New Yorker

“The Vijay Iyer Trio has the potential to alter the scope, ambition and language of jazz piano forever.” - Jazzwise (UK)

“One of the best in the world at what he does” – Pitchfork

Born in Minneapolis, Minnesota, CRAIG TABORN has been performing piano and electronic music in the jazz, improvisational, and creative music scene for over twenty five years. He has experience composing for and performing in a wide variety of situations including jazz, new music, electronic, rock, noise and avant garde contexts. 

Taborn has played and recorded with many luminaries in the fields of jazz, improvised, new music and electronic music including Roscoe Mitchell, Wadada Leo Smith, Lester Bowie, Dave Holland, Tim Berne, John Zorn, Evan Parker, Steve Coleman, David Torn, Chris Potter, William Parker, Vijay Iyer, Kris Davis, Nicole Mitchell, Susie Ibarra, Ikue Mori, Carl Craig, Dave Douglas, Meat Beat Manifesto, Dan Weiss, Chris Lightcap, Gerald Cleaver, and Rudresh Manhathappa. 

Taborn is currently occupied creating and performing music for solo piano performance (Avenging Angel), piano trio (Craig Taborn Trio), an electronic project (Junk Magic), the Daylight Ghosts Quartet, a piano/drums/electronics duo with Dave King (Heroic Enthusiasts) and a new trio with Tomeka Reid and Ches Smith as well as piano duo collaborations with Vijay Iyer (The Transient Poems), Kris Davis (Octopus) and Cory Smythe. He is also a member of the instrumental electronic art-pop group Golden Valley is Nowand performs frequently on solo electronics. 

His conceptual work 60 x Sixty is now available worldwide, for free at 60xSixty.com

Craig lives in Brooklyn.

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