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As a musical preview to the exhibition Riffs and Relations: African American Artists and the European Modernist Tradition, celebrated pianist and composer Aaron Diehl weaves between jazz and classical styles as he explores the cross-pollination between musical forms.

CityDance Conservatory Artistic Director Lorraine Spiegler presents an evening of dance featuring work by CityDance Ignite artist Sarah J. Ewing.

Oil on canvas 20 x 24 in.; 50.8 x 60.96 cm Acquired 1934

Watercolor and graphite pencil on paper 14 3/8 x 20 3/4 in.; 36.5125 x 52.705 cm. Acquired 1927

Rahim AlHaj makes his Phillips debut on the oud, one of the oldest of all string instruments.

Through her portraits, Amy Sherald explores the ways people construct and perform their identities in response to political, social, and cultural expectations. Her work offers a critical view of African American cultural history and the representation of the African American body. Known for using a grayscale palette to paint skin tones, Sherald challenges the concept of color-as-race. Sherald will be in conversation with Dorothy Kosinski, Director of The Phillips Collection. Note: This conversation takes place at the David C. Driskell Center, located on campus at the University of Maryland in

Oil on canvas 30 3/8 x 45 3/8 in.; 77.1525 x 115.2525 cm.; Framed: 39 3/4 in x 55 in x 4 3/8 in; 100.97 cm x 139.7 cm x 11.11 cm Acquired 1920

Oil on canvas 25 5/8 x 22 5/8 in.; 65.0875 x 57.4675 cm. Acquired 1923

Opaque and transparent watercolor on paper 13 1/2 x 19 1/2 in.; 34.29 x 49.53 cm. Acquired 1937 or 1938

Typewritten page overall: 8 in x 10 in; 20.32 cm x 25.4 cm; Framed: 11 3/4 x 9 1/4 in; 29.85 cm x 23.5 cm Gift of Miriam Schapiro Grosof, 2014