Monet, nature into art / John House.
Author: House, John, 1945-2012. Publication: New Haven : Yale University Press, 1986. Description: 256 p. : ill. (some col.), facsims., ports. ; 30 cm. Notes: Includes bibliographical references (p. 2
Author: House, John, 1945-2012. Publication: New Haven : Yale University Press, 1986. Description: 256 p. : ill. (some col.), facsims., ports. ; 30 cm. Notes: Includes bibliographical references (p. 2
Author: Sichel, Pierre. Publication: New York, Dutton, 1967. Description: 597 p. illus., ports. 25 cm. Notes: Subjects: Modigliani, Amedeo, 1884-1920 Biography. Associated Names: Call Number: N44.M692
Author: Negulesco, Jean. Publication: New York : Linden Press/Simon & Schuster, 1984. Description: 317 p. : ill. ; 25 cm. Notes: Subjects: Negulesco, Jean Biography. Motion picture producers and direc
Author: Virginia Museum of Fine Arts. Publication: Richmond : University of Virginia, 2001. Description: ix, 70 p. : ill. (some col.) ; 31 cm. Notes: Catalog of an exhibition held at the Virginia Muse
Author: Publication: Description: Notes: Subjects: Dow, Arthur W. (Arthur Wesley), 1857-1922. Associated Names: Call Number: V.F.I.--DOW, ARTHUR WESLEY Location: V.F.I.
Author: Publication: Japan : Shogakukan, 1976. Description: 157 p., col. plates ; cm. Notes: Subjects: Rembrandt Harmenszoon van Rijn, 1606-1669. Associated Names: Call Number: N44.R4 R47 1976 Locatio
Author: Publication: Calgary : Illingworth Kerr Gallery, 2009. Description: 79 p. : col. ill. ; 17 cm. Notes: Text by Wayne Baerwaldt and Tim Price ; interview with Sarah Anne Johnson by Robert Enrigh
Author: Publication: Description: Notes: Subjects: Weir, Julian Alden, 1852-1919. Associated Names: Call Number: V.F.I.--WEIR, JULIAN ALDEN Location: V.F.I.
Author: Aichele, Kathryn Porter, 1947- Publication: Rochester, NY : Camden House, 2006. Description: x, 225 p. : ill. ; 24 cm. Notes: The artist (poet/painter) -- "I am a poet, after all" -- The poeti
The Phillips Collections has been a pioneer in addressing Diversity, Equity, Accessibility, and Inclusion in museum spaces. In the 1930s and 40s, in a segregated Washington, Duncan Phillips forged critical relationships with the Howard University Gallery of Art and the Barnett Aden Gallery to advance the contributions of living artists and acceptance of diverse ideas. This mindset of working within the community and advancing DEAI principles has progressed exponentially over the past decade as evidenced by the timeline below.