Leading International Composers: John Adams at 80
with Adam Tendler, Maki Namekawa & Dennis Russell Davies, pianos
John Coolidge Adams (born February 15, 1947) is an American composer and conductor. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, many of which center around historical events. Apart from opera, his oeuvre includes orchestral, concertante, vocal, choral, chamber, electroacoustic, and piano music.
Born in Worcester, Massachusetts, Adams grew up in a musical family and was exposed to classical music, jazz, musical theatre, and rock music. He attended Harvard University, studying with Leon Kirchner, Roger Sessions, and David Del Tredici, among others. His earliest work was aligned with modernist music, but he began to disagree with its tenets upon reading John Cage's Silence: Lectures and Writings. Teaching at the San Francisco Conservatory of Music, Adams developed a minimalist aesthetic first fully realized in Phrygian Gates (1977) and later in the string septet Shaker Loops. Adams became increasingly active in San Francisco's contemporary music scene, and his orchestral works Harmonium (1980–1981) and Harmonielehre (1985) first gained him national attention. Other popular works from this time include the fanfare Short Ride in a Fast Machine (1986) and the orchestral work El Dorado (1991).
Adams's first opera was Nixon in China (1987), which recounts Richard Nixon's 1972 visit to China and was the first of many collaborations with theatre director Peter Sellars. Though the work's reception was initially mixed, it has become increasingly respected since its premiere, receiving performances worldwide. Begun soon after Nixon in China, the opera The Death of Klinghoffer (1991) was based on the Palestinian Liberation Front's 1985 hijacking and murder of Leon Klinghoffer and incited considerable controversy for its subject matter. His next notable works include a Chamber Symphony (1992), a Violin Concerto (1993), the opera-oratorio El Niño (2000), the orchestral piece My Father Knew Charles Ives (2003), and the six-string electric violin concerto The Dharma at Big Sur (2003). Adams won a Pulitzer Prize for Music for On the Transmigration of Souls (2002), a piece for orchestra and chorus commemorating the victims of the September 11, 2001 attacks. Continuing with historical subjects, Adams wrote the opera Doctor Atomic (2005), based on J. Robert Oppenheimer, the Manhattan Project, and the building of the first atomic bomb. Later operas include A Flowering Tree (2006), Girls of the Golden West (2017), and Antony and Cleopatra (2022).
In many ways, Adams's music is developed from the minimalist tradition of Steve Reich and Philip Glass, but he tends to more readily engage in the immense orchestral textures and climaxes of late Romanticism in the vein of Wagner and Mahler. His style is to a considerable extent a reaction against the modernism and serialism of the Second Viennese and Darmstadt Schools. In addition to the Pulitzer, Adams has received the Erasmus Prize, a Grawemeyer Award, five Grammy Awards, the Harvard Arts Medal, France's Ordre des Arts et des Lettres, and six honorary doctorates.
2026 GRAMMY® Nominee Adam Tendler has been called a "daring pianist" of "adventurousness and muscular skill" (The New York Times), "the hottest pianist on the American contemporary classical scene" (Minneapolis Star Tribune), a “relentlessly adventurous” (Washington Post), "remarkable and insightful musician" (LA Times), an "intrepid... maverick pianist" (The New Yorker), a "new music evangelist" (Time Out NY), and "one of contemporary classical music's most intentional and daring pianists" (Seven Days). "If you're a cutting-edge composer these days," said CBS Sunday Morning's Lee Cowan, "you want Adam to perform your pieces."
A pioneer of DIY culture in classical music, at age 23 Tendler performed solo recitals in all fifty states as part of a grassroots tour, the subject of his acclaimed memoir, 88x50. He has since become one of classical music's most recognized and celebrated artists, recently appearing in his own CBS Sunday Morning feature, receiving Lincoln Center's Emerging Artist Award, the Yvar Mikhashoff Prize, and appearing as soloist with the London Symphony Orchestra, LA Phil, Sydney Symphony, Toronto Symphony Orchestra, NJ Symphony, Vermont Symphony Orchestra, as well as on the main-stages of Carnegie Hall, David Geffen Hall, the Barbican Centre, Sydney Opera House, BAM, Walt Disney Concert Hall, Milan Fashion Week, Venice Biennale, and other leading stages worldwide.
Tendler's commissions range from major works by Christian Wolff to Devonté Hynes, and his program of 16 new commissions using the entire inheritance left to him by his father after his unexpected death, including works by Laurie Anderson, Nico Muhly, and Missy Mazzoli, was featured on CBS Sunday Morning, is a 2026 GRAMMY® Nominee for Best Classical Instrumental Solo, and a New York Times Critic Pick, which called the project "a display of contemporary compositional force... a true show...emotionally involving...with a sense of true dramatic stakes," adding, "You will be moved, profoundly and intensely." The Washington Post wrote, "the biggest emotional gut punch I got from a concert all year." Tendler is also featured on Wild Up's GRAMMY-nominated third volume of Julius Eastman's music. He has additionally released albums of music by Franz Liszt, Robert Palmer, Julius Eastman, Edward T. Cone, and his own original work.
Tendler’s 2024 immersive installation, Exit Strategy, as Green-wood Cemetery’s artist in residence, received national attention and engaged hundreds of contributing community members. He is the author of two books, a Yamaha Artist, and serves on the piano faculty of NYU.
Maki Namekawa is a leading figure among today’s pianists, bringing to audiences’ attention contemporary music by international composers. As a soloist and a chamber musician equally at home in classical and repertoire of our time, she performs regularly at international venues such as Carnegie Hall and Lincoln Center New York, Musikverein Vienna, Barbican Center and Cadogan Hall London, Citè de la musique Paris, Philharmonie de Paris, Concertgebouw Amsterdam, BOZAR Bruxelles, Suntory Hall and Sumida Toriphony Hall Tokyo, Salzburg Festival, Ars Electronica Festival, Musik-Biennale Berlin, Rheingau Musik Festival and Piano-Festival Ruhr.
Maki Namekawa records and performs frequently for major radio networks in Austria, Germany, the Netherlands, Switzerland, France and USA. Orchestra engagements include Royal Concertgebouw Orkest Amsterdam, Münchner Philharmoniker, Bamberger Symphoniker, Dresdner Philharmonie, Bruckner Orchester Linz, Sinfonieorchester Basel, Filharmonie Brno, American Composers Orchestra, and Seattle Symphony.
In 2013, she performed the world premiere of the entire cycle of Philip Glass’ 20 etudes for piano solo at Perth International Arts Festival under the participation of Glass himself, followed by concerts around the world in the US, Mexico, Brazil, Ireland, Scotland, Iceland, Sweden, Finland, Denmark, Slovakia, Poland, Germany and Japan. A double-CD of the complete Glass etudes has been released in 2014 by Orange Mountain Music, reaching number 1 of the iTunes Classic charts and receiving high praise in the categories “Performance” and “Recording” by BBC Music Magazine. In September 2017 Maki Namekawa presented the whole cycle of Glass etudes for the first time in Austria at the Ars Electronica Festival as a project „Pianographique“ with real time visualization by Cori O‘Lan.
In September 2018, Maki Namekawa released the piano version of Philip Glass’ soundtrack “MISHIMA – A Life in Four Chapters” that depicts the life and death of the japanese writer and political activist Yukio Mishima. The arrangement was especially crafted for her by Glass’ longterm musical director Michael Riesman and features her crystal-clear technique. The recording was awarded the prestigious “Pasticcio Prize” by ORF – Austrian National Radio Broadcast. In June 2019, her another recording Isang Yun | Sunrise Falling was awarded Pasticcio Prize again.
In 2019 Philip Glass composed his first Piano Sonata especially for Maki Namekawa. She premiered the Sonata on July 4th, 2019 at Piano-Festival Ruhr in Germany in the presence of the composer. This Piano Sonata was commissioned by the Piano-Festival Ruhr, the Philharmonie de Paris and the Ars Electronica Festival.
Together with her husband, the conductor Dennis Russell Davies, Maki Namekawa formed a piano duo in 2003 which regularly performs in leading venues in Europe and North America including the Piano Festival Ruhr, the Radialsystem in Berlin, the Salzburg Festival, the Ars Electronica Festival, the Lincoln Center Festival, the Morgan Library and “Roulette” in New York City, the Philips Collection in Washington, D.C., and the Other Minds Festival in California. Major works written for the Namekawa-Davies Duo include Philip Glass’ “Four Movements for Two Pianos”, “Chen Yi’s “China West Suite”, and Glass’ “Two Movements for Four Pianos“ (with Katia and Marielle Labèque) all commissioned by the Piano Festival Ruhr. In July 2017, Maki Namekawa, Dennis Russell Davies and Philip Glass received the Piano Festival Ruhr Award. In 2019 japanese composer Joe Hisaishi composed for the Namekawa-Davies Duo a work for 2 pianos and chamber orchestra “Variation 57”, premiered in Tokyo under the baton of the composer.
Maki Namekawa studied piano at Kunitachi Conservatory in Tokyo with Mikio Ikezawa and Henriette Puig-Roget. In 1994 she won the Leonid Kreutzer Prize. In 1995 she continued her studies with Werner Genuit and Kaya Han at Musikhochschule Karlsruhe, where she completed her diploma as a soloist with special distinction. She went on to perfect her artistry in Classical-Romantic repertoire with Edith Picht-Axenfeld, in contemporary music with Pierre-Laurent Aimard at Musikhochschule Köln, György Kurtág, Stefan Litwin and Florent Boffard.
Dennis Russell Davies is currently Chief Conductor of the Bruckner Orchestra and Opera Linz as well as the Basel Symphony Orchestra.
In 2016 he will have held principal positions with orchestras, opera houses and festivals for a continuous 46 years that have also included the Beethovenhalle Orchestra, Vienna Radio Symphony Orchestra, State Opera Stuttgart, Bonn Opera, American Composers’ Orchestra, St Paul Chamber Orchestra, Norwalk Symphony Orchestra, Cabrillo Music Festival, Stuttgart Chamber Orchestra.
An avid sports fan, especially baseball, and father of six children, he lives in Linz, Austria, and in New York with his wife, pianist Maki Namekawa.
Also a pianist and chamber musician, his activities show an extensive repertoire from the Baroque to today’s new music that he uses in fearlessly structured programming to successfully challenge and inspire audiences on both sides of the Atlantic alongside his close working relationships with composers who include Luciano Berio, William Bolcom, John Cage, Manfred Trojahn, Philip Glass, Heinz Winbeck, Laurie Anderson, Philippe Manoury, Aaron Copland, Hans Werner Henze, Michael Nyman and Kurt Schwertsik.
