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Anthony Roth Costanzo & The Shanghai Quartet

countertenor & string quartet

Sunday Concert

Livestream with Ticket Reservation

Registration Open / Online / In-Person

Buy a Virtual Ticket
$15 for virtual tickets | $10 for members
(in-person tickets on sale Jan. 3)
$45 for general tickets | $25 for members
Black and white photo of countertenor Anthony Roth Costanzo

Rescheduled from the 2020/21 season, countertenor Anthony Roth Costanzo returns to perform with the world-renowned Shanghai Quartet. Anchoring the program will be a new 25-minute work for string quartet and countertenor by Brazilian/American composer Marcos Balter, co-commissioned by The Phillips Collection and Chamber Music America. Following the effects of the global pandemic, Balter will focus his new work, titled Therapy on concepts of catharsis and the healing potential of creativity. He has chosen Alfonso Ossorio’s Recovery Drawings as inspiration for the new work. Ossorio sketched the 42 Recovery Drawings while in hospital recovering from heart failure. The wildly evocative set of drawings proves that physical restrictions need not constrain imagination, and that limitations can hold the power to be both generative and transformative.   

This event will be broadcast live from the Music Room on Sunday, March 20 at 4 PM. To reserve a ticket, follow the link above to register. All registered ticket holders will receive a link directing them to a livestream webpage where the performance can be accessed. Ticket holders will be able to watch this performance “On Demand” for 48 hours following the broadcast time. 

IN PERSON AUDIENCES: KNOW BEFORE YOU GO
  • Concert guests 12 years of age and over must show proof of vaccination or a same-day negative COVID-19 test.
  • Concert guests over the age of two must wear a face mask covering their nose and mouth at all times, regardless of their vaccination status.
  • The Music Room is now able to operate at 1/2 capacity. However, given the intimate nature of the setting, we can no longer follow strict social distancing guidelines. All in-person guests may be seated next to, in front of, or behind other vaccinated and masked concert guests.

Countertenor Anthony Roth Costanzo began performing professionally at the age of 11 and has since appeared in opera, concert, recital, film, and on Broadway. He is a recipient of the 2020 Beverly Sills Award from the Metropolitan Opera, and a winner of the 2020 Opera News Award.

Mr. Costanzo has been named The Mary and James G. Wallach Artist-in-Residence for the New York Philharmonic’s 2021–22 with the centerpieces of his activities being Authentic Selves: The Beauty Within, two consecutive weeks of programming he co-curated to reflect on questions of identity. This season he also returns to the Metropolitan Opera in his acclaimed performance of the title role in Akhnaten (seen at the Met in the fall of 2019 and in the Met’s Live in HD series, with a CD and DVD forthcoming) and as Unulfo in Rodelina, to the Teatro Real in Madrid in Partenope, and to Boston Baroque with performances of Amadigi di Gaula. He also appears in recital in Cincinnati, Kansas City, and Estonia.

Despite the cancellations of the 20/21 season pandemic, Costanzo found opportunities for virtual and live performance including his debut at the Santa Fe Opera in the title role of world premiere of John Corigliano’s The Lord of Cries, and appearances with the Metropolitan Opera, Lincoln Center, The Guggenheim Works and Process, Bang on a Can, the Orchestra of St. Luke’s, the Phillips Collection, New York Pops Up, and many more. He also created and produced the New York Philharmonic’s Bandwagon initiativethe orchestra’s innovative response to the ongoing pandemic. It began with 81 impromptu concerts in all five boroughs of New York City, where Mr. Costanzo, musicians from the orchestra, and other special guests performed a wide range of repertoire, including world-premiere commissions. It evolved into a series of festivals created with partner organizations throughout the city, which utilize the resources of the Philharmonic to center and amplify the voices of the community.

Mr. Costanzo is an exclusive recording artist with Decca Gold, and his first album, ARC – a collection of arias by Handel and Phillip Glass with Les Violons du Roy – was released in September 2018 and nominated for the 2019 GRAMMY Award for Best Classical Solo Vocal Album. With the album, he produced the multi-disciplinary performance installation Glass Handel, involving artists such as Tilda Swinton, George Condo, and Raf Simons, and creating 9 music videos which were released as a visual album on Apple Music.”

Costanzo has appeared with many of the world’s leading opera houses including the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Houston Grand Opera, Opera Philadelphia, Los Angeles Opera, Canadian Opera Company, Glyndebourne Opera Festival, Dallas Opera, Teatro Real Madrid, Spoleto Festival USA, Glimmerglass Festival, and Finnish National Opera.

In concert he has sung with the New York Philharmonic, The Cleveland Orchestra, National Symphony Orchestra, San Francisco Symphony, Boston Baroque, Berlin Philharmonic, NDR at the Elbphilharmonie in Hamburg, and the London Symphony Orchestra, among others. He has also been presented in recital in Vancouver, Princeton University Concerts, Duke Performances, and at the Morgan Library in New York. He has performed at a wide-ranging variety of venues including Carnegie Hall, Lincoln Center for the Performing Arts, Versailles, The Kennedy Center, The Metropolitan Museum of Art, National Sawdust, Minamiza Kyoto, Joe’s Pub, The Guggenheim, The Park Avenue Armory, and Madison Square Garden.

A champion of new work, Mr. Costanzo created roles in the world premieres of Jimmy Lopez’s Bel Canto at the Lyric Opera of Chicago and Jake Heggie’s Great Scott at the Dallas Opera. He has also premiered works written for him by Joel Thompson, Matthew Aucoin, Paola Prestini, Gregory Spears, Viet Cuong, Suzanne Farrin, Bernard Rands, Scott Wheeler, Mohammed Fairouz, Steve Mackey, and Nico Muhly.

Mr. Costanzo has begun working as a producer and curator in addition to his singing, creating shows for The New York Philharmonic, Opera Philadelphia, National Sawdust, the Philharmonia Baroque, The Barnes Foundation, St. John The Divine, Princeton University, WQXR, The State Theater in Salzburg, Master Voices and Kabuki-Za Tokyo. In film, he played Francis in the Merchant Ivory film, A Soldier’s Daughter Never Cries, for which he was nominated for an Independent Spirit Award, and Simon in Brice Cauvin’s De particulier a particulier. He is the first countertenor to host Met Opera Live in HD Broadcasts.

Named 2019 Musical America Vocalist of the Year, Mr. Costanzo’s many other awards include first place in the 2012 Operalia competition, a Grand Finals Winner of the 2009 Metropolitan Opera National Council Auditions, a George London Award, a career grant from the Richard Tucker Foundation, and the first countertenor to win First Place in the Houston Grand Opera Eleanor McCullom competition, where he also won the audience choice prize. He has also received a Sullivan Foundation Award, and won First Place in the Opera Index Competition, the National Opera Association Vocal Competition, and the Jensen Foundation Competition.

Mr. Costanzo graduated Magna Cum Laude and Phi Beta Kappa from Princeton University where he was awarded the Lewis Sudler Prize for extraordinary achievement in the arts and where he has returned to teach. He received his Masters of Music from the Manhattan School of Music, where he now serves on the board of Trustees. In his youth, he performed on Broadway and in Broadway National Tours including A Christmas CarolThe Sound of Music, and Falsettos. He began his operatic endeavors playing Miles in The Turn of the Screw and shortly thereafter sang alongside Luciano Pavarotti.

Over the past thirty-seven years the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The Shanghai’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; since then the members have been based in the U.S. while maintaining a robust touring schedule at leading chamber-music series throughout North America, Europe, and Asia. 

Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, D.C.), and the Festival Pablo Casals in France, and Beethoven cycles for the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The Quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and has collaborations with the NCPA and Shanghai Symphony Orchestras. Upcoming highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, return performances for Maverick Concerts and the Taos School of Music, and engagements in Los Angeles, Syracuse, Albuquerque, and Salt Lake City.

Among innumberable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer. The Shanghai Quartet appears regularly at many of North America’s most prominent chamber music festivals, including annual performances for Maverick Concerts, the Brevard Music Center, and Music Mountain.

The Shanghai Quartet has a long history of championing new music, with a special interest in works that juxtapose the traditions of Eastern and Western music. The Quartet has commissioned works from an encyclopedic list of the most important composers of our time, including William Bolcom, Sebastian Currier, David Del Tredici, Tan Dun, Vivian Fung, Lowell Lieberman, Zhou Long, Marc Neikrug, Krzysztof Penderecki, Bright Sheng, Chen Yi, and Du Yun. The Quartet had a particularly close relationship with Krzysztof Penderecki; they premiered his third quartet – Leaves From an Unwritten Diary – at the composer’s 75th birthday concert and repeated it again at both his 80th and 85th birthday celebrations. Forthcoming and recent commissions include new works from Judith Weir, Tan Dun, and Wang Lei, in addition to a new work from Penderecki.

The Shanghai Quartet has an extensive discography of more than thirty recordings, ranging from Schumann and Dvořák piano quintets with Rudolf Buchbinder to Zhou Long’s Poems from Tang for string quartet and orchestra with the Singapore Symphony. The Quartet has recorded the complete Beethoven string quartets and is currently recording the complete Bartók quartets.

A diverse array of media projects run the gamut from a cameo appearance playing Bartók’s String Quartet No. 4 in Woody Allen’s film Melinda and Melinda to PBS television’s Great Performances series. Violinist Weigang Li appeared in the documentary From Mao to Mozart: Isaac Stern in China, and the family of cellist Nicholas Tzavaras was the subject of the film Music of the Heart, starring Meryl Streep. The Shanghai Quartet is the subject of a full-length documentary film, Behind the Strings that will be released in 2020.

Serving as Quartet-in-Residence at the John J. Cali School of Music at Montclair State University since 2002, the Shanghai Quartet will also join the Tianjin (China) Juilliard School in fall 2020 as resident faculty members. The Quartet also is the Ensemble-in-Residence with the Shanghai Symphony Orchestra and visiting guest professors of the Shanghai Conservatory and Central Conservatory in Beijing. They are proudly sponsored by Thomastik-Infeld Strings and BAM Cases.

Praised by The Chicago Tribune as “minutely crafted” and “utterly lovely,” The New York Times as “whimsical” and “surreal,” and The Washington Post as “dark and deeply poetic,” the music of composer Marcos Balter (b.1974, Rio de Janeiro, Brazil) is at once emotionally visceral and intellectually complex, primarily rooted in experimental manipulations of timbre and hyper-dramatization of live performance. 

Recent performances include a Miller Theater Composer Portrait in 2018 and appearances at Carnegie Hall, Köln Philharmonie, Queen Elizabeth Hall, Wigmore Hall, ArtLab at Harvard University, Lincoln Center, Walt Disney Hall, Teatro Amazonas, Sala São Paulo, Park Avenue Armory, Teatro de Madrid, Bâtiment de Forces Motrices de Genève, and the Museum of Contemporary Art of Chicago. Recent festival appearances include those at Tanglewood Contemporary Music Festival, Ecstatic Music Festival, Acht Brücken, Aldeburgh Music Festival, Aspen, Frankfurter Gesellschaft für Neue Musik, Darmstadt Ferienkurse, and Banff Music Festival. 

Past honors include fellowships from the John Simon Guggenheim Foundation, Civitella Ranieri Foundation, and the Tanglewood Music Center (Leonard Bernstein Fellow) as well as commissions from the Los Angeles Philharmonic, Chicago Symphony Music Now, Meet the Composer, Fromm Foundation at Harvard, The Holland/America Music Society, The MacArthur Foundation, and the Art Institute of Chicago. His works are published by PSNY (Schott), and commercial recordings of his music are available through New Amsterdam Records, New Focus Recording, Parlour Tapes+, and Navona Records.

Highlights in 2019-2020 include guest residencies at Stanford University, Harvard University, University at Buffalo, University of California San Diego, Yellow Barn, and Egelsholm Castle, a new work for countertenor Anthony Roth Constanzo and the Shanghai Quartet commissioned by the Phillips Collection and Chamber Music America, a new work for cellist Jay Campbell and pianist Conor Hanick commissioned by the 92Y, the release of flutist Claire Chase’s live recording of “Pan” at Meyer Sound Studio, and performances by the JACK Quartet, the International Contemporary Ensemble (ICE), Constelation Chor, nois saxophone quartet, the Los Angeles Chamber Orchestra, San Francisco Symphony’s Soundbox Series, and others.

Recent collaborators include the rock band Deerhoof, dj King Britt and Alarm Will Sound, yMusic and Paul Simon, Orquestra Experimental da Amazonas Filarmonica, American Contemporary Music Ensemble, American Composers Orchestra, and conductors Susanna Malkki, Steven Schick, and Karina Canellakis.

Having previously taught at the University of Pittsburgh, Northwestern University, Lawrence University, Columbia University, and Columbia College Chicago, he is currently an Associate Professor of Music Composition at Montclair State University and a guest scholar at the University of Pennsylvania (Fall 2019). He currently lives in New York City.

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