Countertenor John Holiday has established himself as “one of the finest countertenors of his generation” (Los Angeles Times). His voice has been praised as “a thing of astonishing beauty” (New Yorker), “arrestingly powerful, secure and dramatically high” (Wall Street Journal), “exceptional [and] strong...even in its highest range” (The New York Times) and “timeless” (Washington Post). Holiday’s unique voice and powerful story have been the subject of profiles in The New Yorker, CNN’s Great Big Story, Los Angeles Times, and more.
2021-22 is a season of exciting debuts for Holiday, beginning with his debut at the Hollywood Bowl under the baton of Gustavo Dudamel in an all-Gershwin program with the Los Angeles Philharmonic; followed by his anticipated Metropolitan Opera debut in Matthew Aucoin’s Eurydice as Orpheus’s Double under the baton of Yannick Nézet-Séguin; as well as his debut with the New York Philharmonic in Handel’s Messiah under the baton of Jeannette Sorrell; and capping off the season with his debut at the Bayerische Staatsoper in Barrie Kosky’s production of Agrippina in the role of Nerone. Holiday will also reprise his signature role of the Refugee in Jonathan Dove’s Flight with Utah Opera and The Dallas Opera.
An acclaimed concert singer, Holiday has performed at world-renowned venues such as Carnegie Hall, The Kennedy Center, Lincoln Center, London’s Barbican Center, and the Philharmonie de Paris. His career highlights have included a tour with Gustavo Dudamel and the Los Angeles Philharmonic; the Sorceress in Barrie Kosky’s production of Purcell’s Dido and Aeneas, and the world premiere of Matthew Aucoin’s Eurydice as Orpheus’s Double at the Los Angeles Opera; the world premiere of Daniel Bernard Roumain’s We Shall Not Be Moved with Opera Philadelphia and the Dutch National Opera; title role in Xerxes at the Glimmerglass Festival; and Caesar in Handel’s Giulio Cesare in Egitto at Wolf Trap Opera. In addition to the traditional concert performances and recitals, Holiday has curated The John Holiday Experience (JHE) to showcase his affinity and talent for many different genres that includes classical, pop, jazz, and R&B. He has performed the program on a national scale, bringing it to Dallas, Des Moines, and Dayton, with plans to continue the eclectic evening of song in his upcoming seasons.
Outside of classical repertoire, Holiday excels in jazz, gospel, and pop music having opened for Grammy award winner Jason Mraz in concert. In 2018, Holiday sang the national anthem for his hometown team the Houston Rockets, and in 2019, Holiday performed at the star-studded Ozwald Boateng Harlem Runway Show at The Apollo Theater, in a performance that was covered by Vogue, Forbes, and CNN, and attended by celebrities Jamie Foxx, Idris Elba, Dapper Dan and others. Additionally, in 2019 Holiday performed Billie Holiday’s “Strange Fruit” at the Apollo Theater Spring Gala. His debut pop single “Alive in Me” was released in August 2021.
Holiday has been the recipient of numerous major competitions and award programs such as the 2017 Marian Anderson Vocal Award; the 2014 Richard Tucker Foundation’s Sara Tucker award; first place at the 2013 Gerda Lissner International Vocal Competition, the 2012 Sullivan Foundation, and the 2011 Dallas Opera Guild Vocal Competition; and third place winner in the 2014 OPERALIA competition. In addition, Holiday was selected among WQXR’s prestigious 20 for ‘20 Artists to Watch, named one of BroadwayWorld’s “New York Opera Gifts that Keep on Giving,” nominated for “Newcomer of the Year” by the German magazine Opernwelt, and listed as one of Yerba Buena Center for the Arts 100 honorees for 2018.
John Holiday received a Bachelor of Music in vocal performance from Southern Methodist University in Dallas, Texas, a Master of Music in vocal performance from the University of Cincinnati College – Conservatory of Music and the Artist Diploma in Opera Studies from The Juilliard School in New York City. Holiday grew up in Rosenberg, Texas, located near Houston, and attended the town’s public schools.
American pianist and collaborator Kevin J. Miller is acclaimed for his dynamically artful performances. Recent collaborations include recitals with international tenor Lawrence Browlee at Carnegie Hall, countertenor John Holiday at the Kennedy Center, Joseph Calleja and Nadine Sierra at the Supreme Court of the United States, as well as an appearance with Mr. Calleja on NPR’s Tiny Desk Concert series. Mr. Miller prepared soprano Jessye Norman for performances of Laura Karpman’s production of Ask Your Mama, which was performed at Carnegie Hall. He also collaborated with the acclaimed countertenors, David Daniels, in a recital at the Glimmerglass Festival. He can be heard on piano on the recording Been in da Storm So Long, which features baritone Kenneth Overton.
This New York native has been on the fast track to success since his days as a student at the Boys Choir of Harlem. Beginning his musical studies at the age of 8, Mr. Miller was frequently a featured soprano soloist - most notably in Vivaldi’s Gloria and Lake George Opera Association’s production of A Midsummer Night’s Dream. While studying in the Boys Choir, he studied piano with the late conductor and pianist Warren Wilson. It was during these years that Mr. Miller also began his work as an accompanist, playing for the choir on its tours of Europe, Israel, Austria, and Japan.
Mr. Miller studied at the Mannes College of Music, where he received a Bachelor of Music degree in Piano. He continued his studies at the University of Michigan School of Music where he received both a Master of Music degree and the Artist Diploma in Collaborative Piano under the tutelage of Martin Katz.
In addition to his formal studies, Mr Miller has been a participant in some of the country’s most prestigious festivals and young artist apprenticeships, including The Tanglewood Institute of Music, Aspen Summer Music Festival, The Cleveland Art Song Festival, San Francisco Opera’s Merola Opera Program, Washington National Opera’s Domingo-Cafritz Young Artist Program and the Glimmerglass Festival. Upon completion of his apprenticeship at the Glimmerglass Festival, he was invited to join the music staff as a vocal coach. He currently serves on music staff at Houston Grand Opera.