In the final installment of his exploration of the Piano Sonatas of Ludwig van Beethoven, Jonathan Biss turns his attention to the composer’s monumental triptych: the final three sonatas of Op. 109, Op. 110, and Op. 111.
Countertenor Anthony Roth Costanzo makes his Phillips debut with pianist Bryan Wagorn. Their program juxtaposes old and new with works by Handel and Glass,Purcell and Britten, and new music by Gregory Spears.
Castles of our Skins present “In Black & White,” a program that responds to the exhibition Riffs and Relations: African American Artists and the European Modernist Tradition. Tracing a parallel musical line of enquiry into the exchange of visual aesthetics between 20th- and 21st-century African American artists and European modernists.