Andreas Ottensamer, Kian Soltani, and Alessio Bax

Andreas Ottensamer has captured audiences and critics alike with his distinct musicianship and versatility as clarinetist, artistic director and conductor.

Ottensamer is considered one of the leading instrumentalists of our time and performs as a clarinet soloist in the major concert halls around the world with orchestras such as the Berlin Philharmonic, the Vienna Philharmonic, the Mahler Chamber Orchestra, the London Philharmonic, the Seoul Philharmonic and the Netherlands Philharmonic under Mariss Jansons, Sir Simon Rattle, Andris Nelsons, Yannick Nezet-Seguin, Daniel Harding and Lorenzo Viotti.
He is a regular guest artist at festivals such as the Salzburger Festspiele, the Gstaad Menuhin Festival, the Rheingau Musik Festival and the Festival de Pâques d’Aix en Provence.

Ottensamer has held the position of principal clarinetist with the Berlin Philharmonic Orchestra from 2011 to 2025.

In 2021 Ottensamer started his work as a conductor and has been awarded the Neeme Järvi Prize (1st Prize) of the Gstaad Festival Conducting Academy.
In the following two seasons he has joined Maestro Riccardo Muti in his Italian Opera Academy and assisted Sir Simon Rattle with the BR Sinfonieorchester and Christian Thielemann in a production of Wagner’s Lohengrin at the Vienna State Opera. 

Since then Ottensamer has conducted orchestras such as the NHK Symphony Orchestra, Tokyo Symphony Orchestra, Seoul Philharmonic, Basel Chamber Orchestra, Orquestra Gulbenkian Lisbon, Istanbul State Symphony Orchestra, Real Philharmonia Galicia, MDR Sinfonieorchester Leipzig, Liszt Chamber Orchestra, Münchener Kammerorchester, Orchestre Metropolitain Montreal and the Kammerakademie Potsdam.

In the season 24/25 Andreas will give his debuts with orchestras such as the Mozarteum Orchester Salzburg at the Mozartwoche, the Tonkünstler Orchestra, the Grazer Philharmoniker, the Basel Sinfonieorchester, the Musikkollegium Winterthur, the Iceland Symphony Orchestra, the Naples Philharmonic. He will also return to conduct the Tokyo Symphony Orchestra, the Münchener Kammerorchester, the Sinfonietta Cracovia and the Istanbul State Symphony Orchestra.

In 25/26 he will conduct Humperdinck’s opera “Hänsel und Gretel” in a new production at the Houston Grand Opera.

Ottensamer is artistic director of the Bürgenstock Festival in Switzerland. His artistic partnerships as a chamber musician include work with Yuja Wang, Seong-Jin Cho, Lisa Batiashvili, Patricia Kopatchinskaja, Phillippe Jaroussky, Gautier Capuçon, Sol Gabetta and many more.

Andreas Ottensamer has an exclusive recording partnership with Deutsche Grammophon since 2013, making him the first ever clarinetist on the Yellow Label. For his album Blue Hour, featuring works of Weber, Mendelssohn and Brahms, he partnered with the Berlin Philharmonic under Mariss Jansons and received his second Opus Klassik award as "Instrumentalist of the year". Together with Yuja Wang and Gautier Capucon he has recorded Brahms’ clarinet trio, released with DG in September 2022. His latest album is with his long term recital partner José Gallardo.

Andreas Ottensamer was born in 1989 in Vienna. He comes from an Austro-Hungarian family of musicians and was drawn to music early, receiving his first piano lessons when he was four. At the age of ten he began studying cello at the University of Music and Performing Arts Vienna, then changed to the clarinet in 2003.
In 2009 he interrupted his Harvard undergraduate studies to become a scholar of the Orchestra Academy of the Berliner Philharmoniker.
Ottensamer studied conducting with Professor Nicolas Pasquet (Weimar) and has taken masterclasses with Professor Johannes Schlaefli (Zürich).

Hailed by The Times as a “remarkable cellist” and described by Gramophone as “sheer perfection”, Kian Soltani’s playing is characterised by a depth of expression, sense of individuality and technical mastery, alongside a charismatic stage presence and ability to create an immediate emotional connection with his audience. He is now invited by the world’s leading orchestras, conductors and recital promoters, propelling him from rising star to one of the most talked about cellists performing today.

In the 24/25 season, Kian Soltani makes several returns including with the Rotterdam Philharmonic Orchestra and Lahav Shani, the Munich Philharmonic Orchestra, Frankfurt Radio Symphony, Cello Biënnale in Amsterdam and Orchestre de la Suisse Romande; he will make his debut with the Toronto Symphony Orchestra and will be artist-in-residence at Fränkischer Sommer Festival. As a recitalist, he will join forces once again with Benjamin Grosvenor, Hyeyoon Park, and Timothy Ridout for a quartet tour and will also embark on several trio concerts with Renaud Capuçon and Mao Fujita across the season. In celebration of the Vienna Symphony’s 125th anniversary, he will tour Austria with the orchestra, performing the world premiere of Marcus Nigsch’s concerto written for him. He will also tour with the Amsterdam Sinfonietta in Asia as well as with the Konzerthausorchester Berlin across Europe.

His recent orchestral highlights include his residency in 23/24 with the Tonhalle-Orchester Zurich and concerts with the NDR Elbphilharmonieorchester, Berlin Staatskapelle, WDR Cologne, Netherlands Radio Philharmonic Orchestra, Detroit Symphony Orchestra, NHK Symphony Orchestra and Accademia Nazionale di Santa Cecilia. As a recitalist he continues to appear in prestigious halls and series including at the Pierre Boulez Saal, Berlin; Wigmore Hall, London; Musikverein and Konzerthaus Vienna and he appears regularly at festivals such as Verbier, Rheingau, Dvorak Prague Festival, Bregenzer Festspiele, Gstaad Menuhin Festival, Grafenegg, Kissinger Sommer and many others.

In 2017, Soltani signed an exclusive recording contract with Deutsche Grammophon and his first disc ‘Home’, comprising works for cello and piano by Schubert, Schumann and Reza Vali, was released to international acclaim in 2018, with Gramophone describing the recording as “sublime”. Soltani has since recorded discs including the Dvorak and Tchaikovsky Piano Trios with Lahav Shani and Renaud Capucon, recorded live at Aix Easter Festival in 2018 released by Warner Classics and Dvořák’s Cello Concerto with the Staatskapelle Berlin and Daniel Barenboim in August 2020.

He recently won Innovative Listening Experience Award at the coveted Opus Klassic Awards 2022, Germany’s most prestigious classical music prize which honours outstanding artists and recordings, for his ‘Cello Unlimited’ album released back in October 2021. He has worked on this latest disc with Deutsche Grammophon during the entirety of 2020, and it is a celebration of the cello and film music. Of the disc, Soltani wrote “Everything you will hear on this album is made only and exclusively with my cello and played only by me. The possibilities of this instrument are unlimited and infinite, and this album is a celebration of the instrument and of epic film music as well”.

Soltani attracted worldwide attention in April 2013 as winner of the International Paulo Cello Competition in Helsinki. In February 2017 Soltani won Germany’s celebrated Leonard Bernstein Award and in December 2017, he was awarded the prestigious Credit Suisse Young Artist Award.

Born in Bregenz, Austria, in 1992 to a family of Persian musicians, Soltani began playing the cello at age four and was only twelve when he joined Ivan Monighetti’s class at the Basel Music Academy. He was chosen as an Anne-Sophie Mutter Foundation scholarship holder in 2014 and completed his further studies as a member of the Young Soloist Programme at Germany’s Kronberg Academy. He received additional important musical training at the International Music Academy in Liechtenstein. As of October 2023, he holds position as a professor of cello at the University of Music and Performing Arts in Vienna, Austria.

Kian Soltani plays “The London, ex Boccherini" Antonio Stradivari cello, kindly loaned to him by a generous sponsor through the Beares International Violin Society.

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the 2000 Leeds International Piano Competition and the 1997 Hamamatsu International Piano Competition and is now a familiar face on five continents as a recitalist, chamber musician, and concerto soloist. He has appeared with over 150 orchestras, including the New York, London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Baltimore, Dallas, Cincinnati, Seattle, Sydney, and City of Birmingham Symphony Orchestras, and the Tokyo and NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Hannu Lintu, Fabio Luisi, Sir Simon Rattle, Ruth Reinhardt, Yuri Temirkanov, and Jaap van Zweden.

As a renowned chamber musician, he recently collaborated with Lisa Batiashvili, Joshua Bell, Ian Bostridge, Lucille Chung, James Ehnes, Vilde Frang, Steven Isserlis, Daishin Kashimoto, François Leleux, Sergei Nakariakov, Emmanuel Pahud, Lawrence Power, Jean-Guihen Queyras, Paul Watkins, and Tabea Zimmermann, among many others.

Since 2017, he has been the Artistic Director of the Incontri in Terra di Siena Festival, a Summer Music Festival in the Val d’Orcia region of Tuscany. He appears regularly in festivals such as Seattle, Bravo Vail, Salon-de-Provence, Le Pont in Japan, Great Lakes, Verbier, Ravinia, Music@Menlo, Aspen and Tanglewood.

In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.

Bax’s most recent album releases are Forgotten Dances and Debussy & Ravel for Two with Lucille Chung. His celebrated Signum Classics discography also includes Italian Inspirations; Beethoven’s Hammerklavier and Moonlight Sonatas (a Gramophone Editor’s Choice); Beethoven’s Emperor Concerto; Bax & Chung, a duo disc with Lucille Chung; Alessio Bax plays Mozart, recorded with London’s Southbank Sinfonia; Alessio Bax: Scriabin & Mussorgsky (named “Recording of the Month ... and quite possibly ... of the year” by MusicWeb International); Alessio Bax plays Brahms (a Gramophone Critics’ Choice); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide Critics’ Choice). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone Editor’s Choice. He performed Beethoven’s Hammerklavier Sonata for Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass, available on DVD from EMI.

At the age of 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. He has been on the piano faculty of Boston’s New England Conservatory since the fall of 2019 and serves as co-artistic director of the Joaquín Achúcarro Foundation for emerging pianists.

Bax lives in New York City with pianist Lucille Chung and their daughter, Mila.