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Painting the Blue Period


Included with general admission / Free for members

Collection item 1554

Watch & Listen

Curator and Conservator Dialogue

Curators and conservators discuss Picasso’s Blue Period.

Conservator’s Perspective

Associate Conservator Patricia Favero on discoveries on The Blue Room

Curator’s Perspective

Curator Susan Behrends Frank on Picasso’s Blue Period Women

Exhibition Catalogue

The catalogue (published by DelMonico Book/ArtGallery of Ontario/The Phillips Collection) presents new insights into Picasso’s Blue Period. Essays, a chronology, and a summary of conservation findings contextualize Picasso’s experimental approach to painting. A major contribution to the burgeoning field of technical art history, Picasso: Painting the Blue Period advances new scholarship on one of the most critical episodes in 20th-century modernism.

Get your copy in the Museum Shop

Picasso: Painting the Blue Period is co-organized by The Phillips Collection and the Art Gallery of Ontario (Toronto, Canada) with the exceptional support of the Musée national Picasso-Paris.

Musee national Picasso logo

The exhibition and its publication are generously supported by the Frauke de Looper Trust, the Ednah Root Foundation, Share Fund, and the National Endowment for the Arts.

National Endowment for the Arts logo

Additional support provided by Lee M. Yarbro, Ken and Dottie Woodcock, Dr. Heather McPherson, Mark Tushnet and Elizabeth Alexander, John and Jean Lange, Diana Reuter-Twining and Edmund S. Twining III, and Patricia Squires and Patrick Spann, and Eileen and Michael Tanner

Made possible by The Phillips Collection’s Exhibitions Endowment Fund, which is generously supported by the Sherman Fairchild Foundation, Michelle and Glenn Engelmann, Robert and Debra Drumheller, and The Marion F. Goldin Charitable Fund

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

In-kind contributions provided by Farrow & Ball

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