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Ellsworth Kelly

Panel Paintings 2004–2009


Included in museum admission; free for members

Ellsworth Kelly, Yellow Relied Over Red

Artist Profile

Ellsworth Kelly was born in 1923 in Newburgh, New York. From 1948 through 1954 he lived in Paris, where he was influenced by both classical art history and European modernists including Pablo Picasso and Paul Cézanne. By 1949 he abandoned figuration and easel painting and adopted abstraction, first by experimenting with collages and eventually by developing his signature vocabulary of simple shapes in a spectrum of colors.

He settled in New York in 1954 during the heyday of abstract expressionism, but he was not interested in the movement’s gestural and expressive language, wanting instead to present the painting as an object free of brushmarks and content. In the late 1950s and the early 1960s, Kelly was among the first artists to discard the conventional square or rectangular painting format and create irregularly shaped canvases. In 1970, Kelly moved to rural Spencertown, New York, where he lives and works today. 

Throughout his career, Kelly has also produced outline drawings of figures and plants, lithographs with striking color combinations, and wood, steel, and bronze sculptures that appear almost two-dimensional. The Phillips Collection commissioned Kelly to create a site-specific sculpture for the museum’s Hunter Courtyard, opened in 2006. Mounted at an angle, Untitled is a large-scale bronze curve, floating weightlessly on the courtyard’s west wall.

Kelly’s art has been featured in countless solo exhibitions, including major retrospectives at the Museum of Modern Art (1973), the Whitney Museum of American Art (1982), and the Solomon R. Guggenheim Museum (1996). Kelly has created commissions for the UNESCO headquarters in Paris; Lincoln Park in Chicago; the United States Holocaust Memorial Museum in Washington, D.C.; and the Modern Wing of the Art Institute of Chicago. He continues to show widely, with exhibitions in 2013 at the Barnes Foundation in Philadelphia, the National Gallery of Art in Washington, the Museum of Modern Art in New York, and the Detroit Institute of Arts.