PRESS IMAGES

THE PHILLIPS COLLECTION

Please contact Hayley Barton to request high resolution images.

The Warmth of Other Suns: Stories of Global Displacement


Arshile Gorky, The Artist and His Mother, c. 1926–42, oil on canvas, 59 15/16 x 50 in. National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

Jack Delano, Group of Florida migrants on their way to Cranberry, New Jersey, to pick potatoews near Shawboro, North Carolina, 1940, photograph, Farm Security Administration, Office of War Information Photograph Collection, Library of Congress

Dorothea Lange, I Am an American, 1942, Gelatin silver print, Library of Congress, Prints & Photographs Division, FSA/OWI Collection, LC-USZ62-23602


Benny Andrews, Trail of Tears, 2005, Oil on four canvases with painted fabric and mixed media collage, 76 x 145 x 1 in. © 2019 Estate of Benny Andrews; Licensed by VAGA at Artists Rights Society (ARS), NY, Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Adrian Paci, Centro di permanenza temporanea (still), 2007, Video, color, sound; 4:32 min.

Francis Alÿs in collaboration with Julien Devaux, Felix Blume, Ivan Boccara, Abbas Benheim, Fundaciéon Montenmedio Arte, and children of Tanger and Tarifa, Don't Cross the Bridge Before You Get to the River (Strait of Gibraltar, Morocco-Spain) (still), 2008, Video installation, color, sound, 7 min. © Francis Alÿs. Courtesy the artist and David Zwirner


Wolfgang Tillmans, Lampedusa, 2008, Inkjet print on paper and clips, 24 x 20 in. © Wolfgang Tillmans, Courtesy the artist and David Zwirner, Galerie Buchholz, Berlin/Cologne, and Maureen Paley, London

Paulo Nazareth, Untitled (from the series Noticias de América (News from the Americas)), 2011/12, photo print on cotton paper, 7 x 9 1/2 in. Courtesy Paulo Nazareth, Galleria Franco Noero, Turin and Mendes Wood DM

Glenn Ligon, Double America, 2012, Neon and paint,  36 x 120 in., National Gallery of Art, Washington, Gift of Agnes Gund


Anna Boghiguian, Refugees in Beirut (They tied and put their hearts together), 2014, Gouache on paper, 11 5/8 x 16 3/8 in., Courtesy the artist & Sfeir-Semler Gallery Beirut/Hamburg

Liu Xiaodong, Refugees 4, 2015, Oil on canvas, 86 1/2 x 118 in., Courtesy the artist and Massimo De Carlo, Milan/London/Hong Kong

Griselda San Martin, The Wall, 2015–16, Digital inkjet print, 20 1/2 x 16 1/2 in., Courtesy of the artist


Aliza Nisenbaum, MOIA's NYC Women's Cabinet, 2016, Oil on linen, 68 x 85 in., Whitney Museum of American Art, New York Gift of Jackson Tang in honor of Christopher Y. Lew

SELECTED IMAGES


Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81, The Phillips Collection, Washington, DC, Acquired 1923

Milton Avery, Black Sea, 1959, The Phillips Collection, Washington, DC, Acquired 1965

Pierre Bonnard, The Open Window, 1921, The Phillips Collection, Washington, DC, Acquired 1930


Georges Braque, The Round Table, 1929, The Phillips Collection, Washington, DC, Acquired 1934

Jacob Lawrence, The Migration Series, Panel no. 1: During World War I there was a great migration north by southern African Americans., between 1940 and 1941, Casein tempera on hardboard 12 x 18 in. The Phillips Collection, Washington, DC Acquired 1942 © Estate of Gwendolyn Knight Lawrence/Artists Rights Society (ARS), New York

Paul Cézanne, Self-Portrait, 1878−1880, The Phillips Collection, Washington, DC, Acquired 1928


Honoré Daumier, The Uprising (L'Emeute), 1848 or later, The Phillips Collection, Washington, DC, Acquired 1925

Hilaire-Germain-Edgar Degas, Dancers at the Barre, 1880s–c. 1900, The Phillips Collection, Washington, DC, Acquired 1944

Willem de Kooning, Asheville, 1948, The Phillips Collection, Washington, DC, Acquired 1952


Wolfgang Laib, Wax Room: Wohin bist Du gegangen – wohin gehst Du? (Where have you gone – where are you going?), 2013, Beeswax, light bulb, The Laib Wax Room is supported by The Phillips Collection Dreier Fund for Acquisitions; gifts in memory of trustee Caroline Macomber; Brian Dailey and Paula Ballo Dailey; a community of online contributors; and a partial gift of the artist. Wax donated by Sperone Westwater, New York

Edward Hopper, Sunday, 1926, Oil on canvas, 29 x 34 in. The Phillips Collection, Washington, DC, Acquired 1926

Georgia O'Keefe, Ranchos Church, No. II, NM, 1929. Oil on canvas, 24 1/8 x 36 1/8 in. The Phillips Collection, Washington, DC, Acquired 1930


Esther Bubley, General Service Department, 30 Rockefeller Plaza, New York City, c. 1950s. Gelatin silver print, 9 3/8 in x 6 3/8 in. The Phillips Collection, Washington, DC, Gift of Cam and Wanda Garner, 2012

DOROTHY KOSINSKI, DIRECTOR


Dorothy Kosinski, Director

PHILLIPS EXTERIOR


Carriage House-Phillips Collection Center for the Study of Modern Art

Phillips Collection House-Front View

Hunter Courtyard

PHILLIPS INTERIOR


The Rothko Room

Sant Building gallery

Music Room

Archival Photos


1) Marjorie and Duncan Phillips in front of Renoir's Luncheon of the Boating Party (1880-81), ca. 1954. Photo by Naomi Savage

2) Duncan Phillips, founder of The Phillips Collection. Photo by Clara E. Sipprel, ca. 1922.

3) Duncan Phillips on a transatlantic journey, 1930s. Courtesy of The Phillips Collection, Washington, DC


4) The house at 21st and Q Streets, NW, ca. 1900.