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Collecting the artist's work primarily between 1919 and 1922, Duncan Phillips, writing in A Collection in the Making, thought of Robinson as a “…gifted colorist....His instrument of expression was color and his palette was as individual as that of any painter of his time. He used the broken tones of Monet but refined the method and made it subtle and sensuous. He was more like Renoir than Monet. One hue required another, the red and blue touches making a violet in perfect accord with the modulated greens....Robinson is ...one of the most attractive personalities and talents of the Impressionist movement.
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