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Past Duncan Phillips Lectures

 

Past Duncan Phillips Lectures

  • 25 Feb 1987       Sir Lawrence Gowing, art historian
    Self Consciousness in Art: Cezanne's Self Portraits
     
  • 13 May 1987      David Hockney, artist
    Painting's Photography: Printing and Seeing
     
  • 20 Oct 1987      John Rewald, art historian, author 
    Visits with Artists in Europe
     
  • 2 Mar 1988        Walter Hopps 
    Private Collecting and a Public Place: The Modern Pioneers in America
     
  • 25 May 1988      Kirk Varnedoe 
    Symbolism and Science: Redon, Seurat, Gauguin et al
     
  • 4 Oct 1988        Carlos Fuentes, author
    Art and Literature: The Spanish Image
     
  • 6 Mar 1989        Rand Castile     
    What They Sought: Japan, the West, and the Arts
     
  • 25 May 1989      Marcia Tucker, founder, New Museum of Modern Art, New York
    Hide and Seek: A Brief History of Vision, Representation, and Control in Contemporary Art
     
  • 3 Oct 1989        John Elderfield
    Abstraction/Representation
     
  • 27 Feb 1990       Nancy Graves, sculptor
    Recent Work: The Relationship Between Painting and Sculpture
     
  • 9 May 1990        Michael Graves, architect 
    Figurative Architecture: Problems with the Recent Past
     
  • 22 Oct 1990      Robert Hughes, art critic
    Rebellion and Tradition
     
  • 20 Feb 1991       John Walsh
    Building a New Museum: An Approach for the 20th Century
     
  • 5 Jun 1991         Robert Herbert, art historian
    American Painting in the Belle Epoque
     
  • 31 Oct 1991      Christopher Green, art historian
    The Magician and the Child:Two Metaphors for the Artist in Modernism
     
  • 4 Mar 1992        Michael Kimmelman, art critic
    The Modern Museum at a Time of Social Change
     
  • 13 May 1992      Helen Frankenthaler, artist           
    Helen Frankenthaler: Slides with Q. and A.
     
  • 20 Oct 1992      Wayne Thiebaud, artist   
    A Personal View of Drawing and Painting
     
  • 3 Mar 1993        Roger Shattuck, linguist and critic
    The Fig Leaf and the Naked Eye: Traditions of Forbidden Knowledge in the Visual Arts
     
  • 12 May 1993      Charles S. Moffett
    The Boating Party and Other Icons of Impressionism
     
  • 20 Oct 1993      Nicholas Fox Weber     
    Patron Saints: Five Rebels Who Opened America to a New Art in the 1930s
     
  • 16 Mar 1994      William Christenberry, artist
    A Southern Perspective: 1961-1994
     
  • 25 May 1994      Mark Helprin, author
    Against the Dehumanization of Art
     
  • 1994                 Susan Rothenberg, artist
    John Richardson, art historian, author
    Vicki Goldberg, art historian, author,photography critic
     
  • 6 Nov 1995        Eugenia Parry Janis
    Dark Object: A Crime Album and Its Stories
     
  • 7 Mar 1996        Paul Goldberger
    Is There Still a Reason for Cities?
     
  • 8 May 1996        Martin Puryear, sculptor
    Puryear on Puryear
  • 20 Nov 1996      Richard R. Brettell, art historian
    The Seine: Its Image in French Writing and Painting in the Age of Impressionism (or Leisure and Lust along the Seine)
     
  • 12 Mar 1997      Jack Flam, art historian
    Matisse and the Language of Signs
     
  • 16 Apr 1997      Joel Meyerowitz
    Re: Vision; Tradition and Contemporary Photographic Values
     
  • 13 Nov 1997      Wanda Corn, art historian
    Why Don't We Laugh at Art? 
  • 11 Feb 1998       John Szarkowski, art historian, curator, photographer
    Stieglitz at his Best
  • 13 May 1998      Deborah Butterfield, sculptor
    Butterfield: Horses
  • 5 Nov 1998        George Shackelford, art historian, curator
    The Mind and the Eye of Impressionism:  Edgar Degas and Claude Monet
  • 17 Mar 1999      Adam Gopnik, art critic
    A Wild Exactitude:  The Continuity of American Art
  • 28 Apr 1999      Bill Viola, artist
    Viola on Viola 
  • 17 Nov 1999      Arlette Sérullaz, art historian, museum director
    Chopin and Delacroix
  • 29 Mar 2000      Dore Ashton, art critic
    Has the Center Held?
  • 3 May 2000        Malcolm Morley, artist     
    Paintings with Objects
     
  • 15 Nov 2000      Hilton Kramer, art critic
    Minimalism as History
     
  • 18 Apr 2001      Dorothy M. Kosinski
    Our Narratives of Modern Art
     
  • 16 May 2001      Elizabeth Murray, artist
    Murray on Murray
     
  • 7 Nov 2001        Douglas Druick
    Still Life, the Sunflower, and the Studio of the South
     
  • 6 Mar 2002        Ned Rifkin
    A Curatorial Work in Progress: Ten Years of Conceiving an Exhibition
     
  • 22 May 2002      Howard Hodgkin, painter
    Hodgkin on Hodgkin
     
  • 31 Mar 2004      David Bates, painter and sculptor
    Bates on Bates
  • 19 May 2004      Simon Schama, historian
    British Land Art
  • 20 Oct 2004      Raymond D. Nasher, collector
    Modern Sculpture in an Urban Environment: The Nasher Sculpture Center
  • 9 Mar 2005        Terry Teachout, critic     
    Multiple Modernisms: What a Novice Collector Learned From Duncan Phillips
  • 18 Oct 2005      Sean Scully, painter         
    Scully on Scully
     
  • 22 Feb 2006       Richard Thomson, art historian
    Renegotiating Narrative in the 1890s: Degas, Toulouse-Lautrec, Vallotton, Vuillard
     
  • 26 Apr 2006      Jed Perl, critic, painter
    Authority and Freedom: Toward a Theory of Artistic Experience
     
  • 21 Feb 2007       June Leaf, artist
    June Leaf on June Leaf
     
  • 11 Apr 2007      Ann Hamilton, artist
    Ann Hamilton on Ann Hamilton
  • 6 Dec 2007        Robert Storr, critic and curator
    The Modern Museum and the Challenge of 'Post-modern' Art
     
  • 15 May 2008      Kerry James Marshall, artist         
    Kerry James Marshall on Kerry James Marshall
     
  • 16 Oct 2008      Christo and Jeanne-Claude, artists
    Over the River: Two Works in Progress
     
  • 16 Jul 2009        Eric Fischl, artist
    The Death of Painting
  • 9 Oct 2009        Adam Gopnik, writer/critic
    Van Gogh's Ear and the World's Attention
     
  • 3 Oct 2010        Alfredo Jaar, artist
    “Alfredo Jaar on Alfredo Jaar”
     
    Keynote to the International Forum weekend

  • 17 Mar 2011        Peter Doig, artist
    “Peter Doig on Peter Doig”
    Special installation  One on One: Peter Doig/Georges Braque


  • 11 Nov 2011        Penelope Curtis, Tate Britain director
    Penelope Curtis on Tate Britain 
    Keynote to the International Forum weekend