PRESS IMAGES

THE PHILLIPS COLLECTION

Please contact Elizabeth Lubben to request high resolution images.

NEO-IMPRESSIONISM AND THE DREAM OF REALITIES: PAINTING, POETRY, MUSIC


Charles Angrand, The Good Samaritan, 1895. Conté crayon on paper, 33 x 24 in. Private Collection

Henri-Edmond Cross, Beach at Cabasson (Baigne-Cul), 1891-92. Oil on canvas, 25 3/4 x 36 3/8 in. The Art Institute of Chicago, L. L. and A. S. Coburn, and Bette and Neison Harris funds; Charles H. and Mary F. S. Worcester Collection; through prior acquisition of the Kate L. Brewster Collection. 1983.513

Albert Dubois-Pillet, The Seine at Paris, 1888. Oil on canvas, 31 1/2 x 39 1/8 in. Private Collection


Alfred William Finch, Country Road near the North Sea, 1888-89. Oil on canvas, 25 1/4 x 30 1/4 in. Turku Art Museum, Finland, Nils Dahlström Collection

Georges Lemmen, Portrait of Jan Toorop, 1886. Chalk on paper, 23 x 17 in. Collection Museum de Fundatie, Heino/Wijhe en Zwolle, The Netherlands

Maximilien Luce, The Louvre at the Pont du Carrousel at Night, 1890. Oil on canvas, 25 x 32 in. Private Collection


Camille Pissarro, Peasant Women Planting Poles in the Ground, 1891. Oil on canvas. 21 1/4 x 18 1/8 in. On loan from a Private Collection, Museums Sheffield, UK

Georges Seurat, At the Gaîté Rochechouart (Café-concert), c. 1887–88. Conté crayon with gouache on laid paper, 12 x 9 5/16 in. Museum of Art, Rhode Island School of Design, Providence. Gift of Mrs. Murray S. Danforth

Georges Seurat, Seascape at Port-en-Bessin, Normandy, 1888. Oil on canvas, 25 1/2 x 32 in. National Gallery of Art, Washington, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman, 1972.9.21


Georges Seurat, Woman Singing in a Café Chantant, 1887. Conté crayon, black and blue chalk, white and pink gouache, pencil, and brown ink on paper, 11 5/8 x 8 7/8 in. Van Gogh Museum, Amsterdam  (Vincent van Gogh Foundation)

Paul Signac, L’Orgue, Cover design for the composition by Gabriel Fabre on a poem by Charles Cros, c. 1891. Lithograph with watercolor additions, 14 1/4 x 11 in. Gift of John Rewald. The Museum of Modern Art, New York. © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Paul Signac, Place des Lices, Saint-Tropez, Opus 242, 1893. Oil on canvas, 25 3/4 x 32 1/4 in. Carnegie Museum of Art, Pittsburgh. Acquired through the generosity of the Sarah Mellon Scaife Family. Photograph © 2014 Carnegie Museum of Art, Pittsburgh


Paul Signac, Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau, 1891. Oil on canvas, 25 5/8 x 31 7/8 in. Mrs. John Hay Whitney Bequest. The Museum of Modern Art, New York. © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

Theo van Rysselberghe, Canal in Flanders (Gloomy Weather), 1894. Oil on canvas, 23 3/4 x 31 1/2 in. Private collection

Theo van Rysselberghe, The Scheldt Upstream from Antwerp, Evening, 1892. Oil on canvas, 26 3/4 x 35 1/2 in. Private Collection 

Bernardi Roig: no/Escape


Bernardi Roig, An illuminated head for Blinky P. (The Gun), 2010. Polyester resin, marble dust and fluorescent light. Figure life size. Courtesy Galerie Klüser, Munich

 

Bernardi Roig, An illuminated head for Blinky P. (The Gun), 2010. Polyester resin, marble dust and fluorescent light. Figure life size. Courtesy Galerie Klüser, Munich

Bernardi Roig, Aceton, 2005. Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy Max Estrella Gallery, Madrid

 


Bernardi Roig, Aceton, 2005. Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy Max Estrella Gallery, Madrid

 

Bernardi Roig, Herr Mauroner, 2008. Polyester resin, marble dust and fluorescent lights. Figure life size. Courtesy MAM Mario Maroner Contemporary, Vienna

Bernardi Roig, Insults to the public, 2007. Polyester resin, marble dust and TV/Video. 22 4/5 x 8 1/4 x 9 in. Private Collection


Bernardi Roig, The Man of the Light, 2005. Polyester resin, marble dust and fluorescent lights. Figure life size. Collection of Mirella and Dani Levinas, Washington, DC

SELECTED IMAGES


1) Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81
2) Milton Avery, Black Sea, 1959, The Phillips Collection, Washington, D.C. Acquired 1965
3) Pierre Bonnard, The Open Window, 1921, The Phillips Collection, Washington, D.C. Acquired 1930

4) Georges Braque, The Round Table, 1929, The Phillips Collection, Washington, D.C. Acquired 1934
5) Charles Burchfield, Road and Sky, 1917, The Phillips Collection, Washington, D.C. Acquired 1930
6) Paul Cézanne, Self-Portrait, 1878−1880, The Phillips Collection, Washington, D.C. Acquired 1928

7) Honoré Daumier, The Uprising (L'Emeute), 1848 or later, The Phillips Collection, Washington, D.C. Acquired 1925
8) Hilaire-Germain-Edgar Degas, Dancers at the Barre, c. 1900, The Phillips Collection, Washington, D.C. Acquired 1944
9) Willem de Kooning, Asheville, 1948, The Phillips Collection, Washington, D.C. Acquired 1952

DOROTHY KOSINSKI, DIRECTOR


Dorothy Kosinski, Director

PHILLIPS EXTERIOR


Carriage House-Phillips Collection Center for the Study of Modern Art

Phillips Collection House-Front View

Hunter Courtyard

PHILLIPS INTERIOR


1) East Parlor, House

2) East Parlor, House

3) Foyer, House


4) Main Gallery, House

5) Gallery, Sant Building

6) Music Room, House


7) Galleries, Goh Annex

8) Gallery, Sant Building

9) Rothko Room

Archival Photos


1) Marjorie and Duncan Phillips in front of Renoir's Luncheon of the Boating Party (1880-81), ca. 1954. Photo by Naomi Savage.

2) Duncan Phillips, founder of The Phillips Collection. Photo by Clara E. Sipprel, ca. 1922.

3) Duncan Phillips on a transatlantic journey, 1920s. Courtesy of The Phillips Collection, Washington, D.C.


4) The house at 21st and Q Streets, NW, ca. 1900.