PRESS IMAGES

THE PHILLIPS COLLECTION

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William Merritt Chase: A Modern Master


William Merritt Chase, A City Park, c. 1887. Oil on canvas, 13 5/8 x 19 5/8 in. Art Institute of Chicago. Bequest of Dr. John J. Ireland

William Merritt Chase, An Artist’s Wife, 1892. Oil on canvas, 20 x 16 in. Private Collection

William Merritt Chase, At the Seaside, c. 1892. Oil on canvas, 20 x 34 in. The Metropolitan Museum of Art, Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967 


William Merritt Chase, Hall at Shinnecock, 1892. Pastel on canvas, 32 1/8 x 41 in. Terra Foundation for American Art, Daniel J. Terra Collection

William Merritt Chase, The Big Bayberry Bush, c. 1895. Oil on canvas, 25 1/2 x 33 1/8 in. Parrish Art Museum, Southampton, New York, Littlejohn Collection

William Merritt Chase, Hide and Seek, 1888. Oil on canvas, 27 5/8 x 35 7/8 in. Acquired 1923. The Phillips Collection, Washington, DC


William Merritt Chase, Just Onions (Onions; Still Life), 1912. Oil on wood panel, 21 x 25 11/16 in. Los Angeles County Museum of Art, Mary D. Keeler Bequest

 

William Merritt Chase, Lydia Field Emmett, 1892. Oil on canvas, 72 x 36 1/8 in. Brooklyn Museum, New York, Gift of the artist

William Merritt Chase, The Open Air Breakfast, c. 1888. Oil on canvas, 37 3/8 x 56 3/4 in. Toledo Museum of Art. Purchased with funds from the Florence Scott Libbey Bequest in Memory of her father, Maurice A. Scott 


William Merritt Chase, Ready for the Ride, 1877. Oil on canvas, 54 x 34 in. Museum of Fine Arts, Boston. Henry H. and Zoe Oliver Sherman Fund

William Merritt Chase, Portrait of Dora Wheeler, 1882–83. Oil on canvas, 62 5/8 x 65 1/8 in. The Cleveland Museum of Art, Gift of Mrs. Boudinot Keith in memory of Mr. and Mrs. J. H. Wade 

William Merritt Chase, Self-Portrait in 4th Avenue Studio, 1915–16. Oil on canvas, 52 1/2 x 63 1/2 in. Richmond Art Museum purchase and gift of Warner M. Leeds, 1916


William Merritt Chase, Spring Flowers (Peonies), by 1889. Pastel on paper, prepared with a tan ground, and wrapped with canvas around a wooden strainer, 48 x 48 in. Terra Foundation for American Art, Daniel J. Terra Collection, 1992.32

William Merritt Chase, The Turkish Page (Unexpected Intrusion), 1876. Oil on canvas, 41 1/4 x 37 1/8 in. Cincinnati Art Museum, Gift of the John Levy Galleries, 1923 

William Merritt Chase, The Young Orphan, c. 1884. Oil on canvas, 44 x 42 in. National Academy Museum, New York

Karel Appel: A Gesture of Color


Karel Appel, Woman with Flowers No.1, 1963. Plastic flowers and oil on canvas, 45 x 35 in. Gift of the Karel Appel Foundation, 2016. The Phillips Collection, Washington, DC © Karel Appel Foundation, c/o ARS New York, 2016

 

Karel Appel, Landscape with Wheel, 1980. Oil on canvas, 72 x 60 in. Gift of the Karel Appel Foundation, 2016. The Phillips Collection, Washington, DC © Karel Appel Foundation, c/o ARS New York, 2016

 

Karel Appel, The Elephant, 1950, cast in 1989. Painted bronze, 104 x 76 x 68 7/8 in. Gift of the Karel Appel Foundation, 2016. The Phillips Collection, Washington, DC © Karel Appel Foundation, c/o ARS New York, 2016

 


Karel Appel, Floating like the Wind, 1975. Oil on canvas 78 3/4 x 102 3/4 in. Private Collection © Karel Appel Foundation, c/o ARS New York, 2016

 

Karel Appel, Nude Figure, 1989. Oil on canvas, 76 x 95 5/8 in. Musée d’Art Moderne de la Ville de Paris © Karel Appel Foundation, c/o ARS New York, 2016

 

Karel Appel, Roman Infantryman, 2000. Found objects and oil on wood, 78 x 41 x 59 in. Gift of the Karel Appel Foundation, 2016. The Phillips Collection, Washington, DC © Karel Appel Foundation, c/o ARS New York, 2016

 

Bettina Pousttchi: Double Monuments


Bettina Pousttchi, Double Monument for Flavin and Tatlin, 2010–2014. Powder coated crowd barriers and neon, Courtesy of the artist and Buchmann Galerie Berlin

Bettina Pousttchi, Double Monument for Flavin and Tatlin, 2010–2014. Powder coated crowd barriers and neon, Courtesy of the artist and Buchmann Galerie Berlin

Naum Gabo, Linear Construction in Space No. 1, 1943. Lucite with nylon thread, 24 1/8 x 24 1/4 x 9 7/8 in. Acquired 1948. The Phillips Collection, Washington, DC


Berenice Abbott, New York at Night, 1931, printed 1975. Gelatin silver enlargement print, 15 5/8 x 10 1/2 in. Gift of the Phillips Contemporaries, 2003. The Phillips Collection, Washington, DC

Bettina Pousttchi with Double Monument for Flavin and Tatlin IX (2013)

Bettina Pousttchi, Double Monument for Flavin and Tatlin (2010–2014) with Naum Gabo, Linear Construction in Space No. 1 (1943), Louis Faurer, Win, Place & Show, 3rd Ave. El at 53rd St., New York, NY (between 1946 and 1948, printed later) and Louis Faurer, Union Square from Ohrbach’s Window, New York, NY (between 1948 and 1950/printed 1980)

SELECTED IMAGES


Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81, The Phillips Collection, Washington, DC, Acquired 1923

Milton Avery, Black Sea, 1959, The Phillips Collection, Washington, DC, Acquired 1965

Pierre Bonnard, The Open Window, 1921, The Phillips Collection, Washington, DC, Acquired 1930


Georges Braque, The Round Table, 1929, The Phillips Collection, Washington, DC, Acquired 1934

Jacob Lawrence, The Migration Series, Panel no. 1: During World War I there was a great migration north by southern African Americans., between 1940 and 1941, Casein tempera on hardboard 12 x 18 in. The Phillips Collection, Washington, DC Acquired 1942 © Estate of Gwendolyn Knight Lawrence/Artists Rights Society (ARS), New York

Paul Cézanne, Self-Portrait, 1878−1880, The Phillips Collection, Washington, DC, Acquired 1928


Honoré Daumier, The Uprising (L'Emeute), 1848 or later, The Phillips Collection, Washington, DC, Acquired 1925

Hilaire-Germain-Edgar Degas, Dancers at the Barre, 1880s–c. 1900, The Phillips Collection, Washington, DC, Acquired 1944

Willem de Kooning, Asheville, 1948, The Phillips Collection, Washington, DC, Acquired 1952


Wolfgang Laib, Wax Room: Wohin bist Du gegangen – wohin gehst Du? (Where have you gone – where are you going?), 2013, Beeswax, light bulb, The Laib Wax Room is supported by The Phillips Collection Dreier Fund for Acquisitions; gifts in memory of trustee Caroline Macomber; Brian Dailey and Paula Ballo Dailey; a community of online contributors; and a partial gift of the artist. Wax donated by Sperone Westwater, New York

Edward Hopper, Sunday, 1926, Oil on canvas, 29 x 34 in. The Phillips Collection, Washington, DC, Acquired 1926

Georgia O'Keefe, Ranchos Church, No. II, NM, 1929. Oil on canvas, 24 1/8 x 36 1/8 in. The Phillips Collection, Washington, DC, Acquired 1930


Esther Bubley, General Service Department, 30 Rockefeller Plaza, New York City, c. 1950s. Gelatin silver print, 9 3/8 in x 6 3/8 in. The Phillips Collection, Washington, DC, Gift of Cam and Wanda Garner, 2012

DOROTHY KOSINSKI, DIRECTOR


Dorothy Kosinski, Director

PHILLIPS EXTERIOR


Carriage House-Phillips Collection Center for the Study of Modern Art

Phillips Collection House-Front View

Hunter Courtyard

PHILLIPS INTERIOR


The Rothko Room

Sant Building gallery

Music Room

Archival Photos


1) Marjorie and Duncan Phillips in front of Renoir's Luncheon of the Boating Party (1880-81), ca. 1954. Photo by Naomi Savage

2) Duncan Phillips, founder of The Phillips Collection. Photo by Clara E. Sipprel, ca. 1922.

3) Duncan Phillips on a transatlantic journey, 1930s. Courtesy of The Phillips Collection, Washington, DC


4) The house at 21st and Q Streets, NW, ca. 1900.