PRESS IMAGES

THE PHILLIPS COLLECTION

Please contact Sarah Corley to request high resolution images.

George Condo: The Way I Think


Brachiosaurus, 1965. Pencil and marker on paper, 8 1/2 x 11 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Only If You Are, 1974. Colored pencil and ink on paper, 9 x 6 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers 

Spanish Head Composition, 1988. Oil and collage on paper mounted on canvas, 118 x 98 in. The Museum of Modern Art, New York. Given anonymously, 2013. Image courtesy Skarstedt Gallery and Sprüth Magers


The Lunatic, 1998. Pastel on paper, 80 x 80 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

The Wedding Pianist, 1998. Pastel on paper, 30 x 22 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Mental States 2, 2000. Watercolor and colored pencil on paper, 23 1/4 x 30 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers


Study for the Insane Cardinal 4, 2003. Graphite on paper, 9 x 12 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Untitled, 2003. Pastel on paper, 44 x 30 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Embracing Couple 1, 2004. Watercolor and ink on paper, 10 1/4 x 8 1/2 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers


Playboy Bunny Study 3, 2005. Ink on paper, 9 1/2 x 7 7/8 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Jean Louis on Green, c. 2008. Pastel on board, 25 x 22 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Study for Fallen Butler, 2009. Graphite and colored pencil on paper, 14 x 17 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers


Wile E. Coyote, 2009. Acrylic, pastel, and graphite on paper, 25 x 22 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

The Fallen Butler, 2009. Oil and pastel on linen, 78 x 76 in. The Museum of Modern Art, New York. Gift of Adam Kimmel, 2010. Image courtesy Skarstedt Gallery and Sprüth Magers

Red and Black Compression, 2011. Acrylic, charcoal, and pastel on paper, 60 x 80 in. Collection of Donald B. Marron, New York. Image courtesy Skarstedt Gallery and Sprüth Magers


Untitled, 2013. Acrylic, charcoal, and pastel on linen, 62 x 58 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Double Heads Drawing 7, 2015. Charcoal, pastel, and graphite on paper, 26 1/4 x 40 1/4 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Double Heads Drawing 10, 2015. Charcoal, pastel, ink wash, and graphite on paper, 26 1/4 x 40 1/4 in. Private collection. Image courtesy Skarstedt Gallery and Sprüth Magers

Markus Lüpertz


Holzschindeln – dithyrambisch (Wood Shingles—Dithyrambic), 1964. Oil on linen, two parts, 57 1/4 x 163 1/2 in. Galerie Michael Werner Märkisch Wilmersdorf, Cologne, London & New York

Baumstamm Abwaerts Dithyrambisch (Tree Trunk Down—Dithyrambic), 1966. Distemper on canvas, 98 1/2 x 71 in. Hall Collection, Courtesy Hall Art Foundation

Deutsches Motiv– dithyrambisch II (German Motif—Dithyrambic II), 1972. Distemper on canvas, 74 x 78 in. Galerie Michael Werner Märkisch Wilmersdorf, Cologne, London & New York


Mann im Anzug – dithyrambisch II (Man in Suit—Dithyrambic II), 1976. Distemper on canvas, 98 1/2 x 73 1/2 in. Private collection

Stil: Eins-Zehn VII – große Form mit Linie 2 (Style: One-Ten VII—Large Shape with Line 2), 1977. Oil and distemper on canvas, 63 3/4 x 51 1/4 in. Private collection

Der große Löffel (The Large Spoon), 1982. Oil on canvas, 79 3/8 x 130 1/2 in. The Museum of Modern Art, New York, Anne and Sid Bass Fund and gift of Agnes Gund © 2017 Markus Lüpertz / Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany, Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY


Männer ohne Frauen. Parsifal (Men without Women: Parsifal), 1993. Oil and tempera on cardboard, 33 x 20 1/2 in. Private collection

Ohne Titel (Untitled), 2008. Oil on canvas, 39 1/4 x 32 in. Galerie Michael Werner Märkisch Wilmersdorf, Cologne, London & New York

Ohne Titel (Untitled), 2010. Mixed media on board, 19 x 26 3/4 in. Private collection


Arkadien – Der hohe Berg (Arcadia—The High Mountain), 2013. Mixed media on canvas, 51 1/4 x 63 3/4 in. Private collection

Arlene Shechet: From Here On Now


Arlene Shechet, Best Behavior, 2014. Glazed ceramic, glazed kiln shelf, and painted and carved hardwood, 45 1/2 x 20 x 20 in. Courtesy of the artist and Sikkema Jenkins & Co. Photo: Lee Stalsworth

Arlene Shechet, Go Figure (detail), 2016. Glazed ceramic, gold, and steel, 72 5/8 x 16 x 13 1/2 in. Courtesy of the artist and Sikkema Jenkins & Co. Photo: Lee Stalsworth

Arlene Shechet, The Possibility of Ghosts, 2013/2016. Glazed ceramic and concrete, 47 x 21 1/2 x 17 in. Courtesy of the artist and Sikkema Jenkins & Co. Photo: Lee Stalsworth


Arlene Shechet, Go Figure, 2016. Glazed ceramic, gold, and steel, 72 5/8 x 16 x 13 1/2 in. Courtesy of the artist and Sikkema Jenkins & Co. Photo: Lee Stalsworth

Arlene Shechet, Untitled (Hanging Sculpture), 2016. Glazed ceramic. Courtesy of the artist and Sikkema Jenkins & Co. Photo: Lee Stalsworth

SELECTED IMAGES


Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81, The Phillips Collection, Washington, DC, Acquired 1923

Milton Avery, Black Sea, 1959, The Phillips Collection, Washington, DC, Acquired 1965

Pierre Bonnard, The Open Window, 1921, The Phillips Collection, Washington, DC, Acquired 1930


Georges Braque, The Round Table, 1929, The Phillips Collection, Washington, DC, Acquired 1934

Jacob Lawrence, The Migration Series, Panel no. 1: During World War I there was a great migration north by southern African Americans., between 1940 and 1941, Casein tempera on hardboard 12 x 18 in. The Phillips Collection, Washington, DC Acquired 1942 © Estate of Gwendolyn Knight Lawrence/Artists Rights Society (ARS), New York

Paul Cézanne, Self-Portrait, 1878−1880, The Phillips Collection, Washington, DC, Acquired 1928


Honoré Daumier, The Uprising (L'Emeute), 1848 or later, The Phillips Collection, Washington, DC, Acquired 1925

Hilaire-Germain-Edgar Degas, Dancers at the Barre, 1880s–c. 1900, The Phillips Collection, Washington, DC, Acquired 1944

Willem de Kooning, Asheville, 1948, The Phillips Collection, Washington, DC, Acquired 1952


Wolfgang Laib, Wax Room: Wohin bist Du gegangen – wohin gehst Du? (Where have you gone – where are you going?), 2013, Beeswax, light bulb, The Laib Wax Room is supported by The Phillips Collection Dreier Fund for Acquisitions; gifts in memory of trustee Caroline Macomber; Brian Dailey and Paula Ballo Dailey; a community of online contributors; and a partial gift of the artist. Wax donated by Sperone Westwater, New York

Edward Hopper, Sunday, 1926, Oil on canvas, 29 x 34 in. The Phillips Collection, Washington, DC, Acquired 1926

Georgia O'Keefe, Ranchos Church, No. II, NM, 1929. Oil on canvas, 24 1/8 x 36 1/8 in. The Phillips Collection, Washington, DC, Acquired 1930


Esther Bubley, General Service Department, 30 Rockefeller Plaza, New York City, c. 1950s. Gelatin silver print, 9 3/8 in x 6 3/8 in. The Phillips Collection, Washington, DC, Gift of Cam and Wanda Garner, 2012

DOROTHY KOSINSKI, DIRECTOR


Dorothy Kosinski, Director

PHILLIPS EXTERIOR


Carriage House-Phillips Collection Center for the Study of Modern Art

Phillips Collection House-Front View

Hunter Courtyard

PHILLIPS INTERIOR


The Rothko Room

Sant Building gallery

Music Room

Archival Photos


1) Marjorie and Duncan Phillips in front of Renoir's Luncheon of the Boating Party (1880-81), ca. 1954. Photo by Naomi Savage

2) Duncan Phillips, founder of The Phillips Collection. Photo by Clara E. Sipprel, ca. 1922.

3) Duncan Phillips on a transatlantic journey, 1930s. Courtesy of The Phillips Collection, Washington, DC


4) The house at 21st and Q Streets, NW, ca. 1900.