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        <title>Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet </title>
        <link>http://www.phillipscollection.org</link>
        <description>This exhibition reveals a rare cross-cultural artistic dialogue among three prominent artists—American painter Jackson Pollock, American artist and patron of European and American postwar art, Alfonso Ossorio, and French painter Jean Dubuffet.
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        <language>en</language>
        <copyright>© 2013 The Phillips Collection</copyright>
        <managingEditor>tpcindc@gmail.com (The Phillips Collection)</managingEditor>
        <webMaster>tpcindc@gmail.com (The Phillips Collection)</webMaster>
        <pubDate>Sat, 09 Feb 2013 09:00:00 -0500</pubDate>
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            <title>Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet </title>
            <link>http://www.phillipscollection.org</link>
            <description>This exhibition reveals a rare cross-cultural artistic dialogue among three prominent artists—American painter Jackson Pollock, American artist and patron of European and American postwar art, Alfonso Ossorio, and French painter Jean Dubuffet.
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        <itunes:subtitle>Pollock, Ossorio, Dubuffet</itunes:subtitle>
        <itunes:summary>This exhibition reveals a rare cross-cultural artistic dialogue among three prominent artists—American painter Jackson Pollock, American artist and patron of European and American postwar art, Alfonso Ossorio, and French painter Jean Dubuffet.
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        <itunes:keywords>Pollock,Ossorio,Dubuffet,Philips,Jackson Pollock,Lavender Mist</itunes:keywords>
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            <itunes:name>The Phillips Collection</itunes:name>
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        <itunes:category text="Arts">
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            <title>Corps de dame–Château d'Etoupe (Body of a Lady–“Stuffed Castle”), 1950 by Jean Dubuffet</title>
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            <description><![CDATA[<p>Stop 1<br />Ossorio's Full Mother and Dubuffet’s Corps de Dame reflect the artists’ belief that, according to Dubuffet, “Painting is a more immediate and direct vehicle than verbal language, much closer to the cry.”</p>]]></description>
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            <itunes:subtitle>Stop 1</itunes:subtitle>
            <itunes:summary>Stop 1Ossorio's Full Mother and Dubuffet’s Corps de Dame reflect the artists’ belief that, according to Dubuffet, “Painting is a more immediate and direct vehicle than verbal language, much closer to the cry.”</itunes:summary>
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            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/dubuffet-body-of-a-lady-1950.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>2:50</itunes:duration>
            <itunes:order>1</itunes:order>
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            <title>Perpetual Sacrifice, 1949 by Alfonso Ossorio</title>
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            <description><![CDATA[<p>Stop 2<br />In Perpetual Sacrifice, an extraordinary array of individual elements and distinct layers is combined into a harmonious yet disconcerting unison.</p>]]></description>
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            <itunes:subtitle>Stop 2</itunes:subtitle>
            <itunes:summary>Stop 2In Perpetual Sacrifice, an extraordinary array of individual elements and distinct layers is combined into a harmonious yet disconcerting unison.</itunes:summary>
            <itunes:keywords>the phillips collection,philips,ossorio</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/ossorio-perpetual-sacrifice-1949.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>2:02</itunes:duration>
            <itunes:order>2</itunes:order>
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            <title>Collage and Oil, c. 1951 by Jackson Pollock</title>
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            <description><![CDATA[<p>Stop 3<br />Pollock’s Collage and Oil and Number 2, 1951 contain torn, wrinkled fragments of Japanese paper soaked in glue that had been splattered with orange gouache and black paint or ink.</p>]]></description>
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            <itunes:subtitle>Stop 3</itunes:subtitle>
            <itunes:summary>Stop 3Pollock’s Collage and Oil and Number 2, 1951 contain torn, wrinkled fragments of Japanese paper soaked in glue that had been splattered with orange gouache and black paint or ink.</itunes:summary>
            <itunes:keywords>the phillips collection,philips,jackson Pollock</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/pollock-collage-and-oil-1951.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:39</itunes:duration>
            <itunes:order>3</itunes:order>
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            <title>Red Family, 1951 by Alfonso Ossorio</title>
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            <description><![CDATA[<p>Stop 4<br />Ossorio returns over and over to the motifs of mother and child, family, angel, crucifix—the traditional iconography of Catholicism, the faith of his childhood.</p>]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Sat, 09 Feb 2013 09:00:00 -0500</pubDate>
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            <itunes:subtitle>Stop 4</itunes:subtitle>
            <itunes:summary>Stop 4Ossorio returns over and over to the motifs of mother and child, family, angel, crucifix—the traditional iconography of Catholicism, the faith of his childhood.</itunes:summary>
            <itunes:keywords>the phillips collection,philips,Alfonso Ossorio</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/ossorio-red-family-1951.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>2:19</itunes:duration>
            <itunes:order>4</itunes:order>
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            <title>Number 1, 1950 (Lavender Mist), 1950 by Jackson Pollock</title>
            <link>http://6b99446a12fde22e4049-c2873ca4de6e773d1260dfebf61d799b.r3.cf1.rackcdn.com/2013-02-09-angels-demons-and-savages-audio-tour-stop-05.mp3</link>
            <description><![CDATA[<p>Stop 5<br />Bought by Alfonso Ossorio in 1951, Lavender Mist exemplifies Pollock’s interest in experimentation and in expanding the language of traditional easel painting.</p>]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Sat, 09 Feb 2013 09:00:00 -0500</pubDate>
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            <itunes:subtitle>Stop 5</itunes:subtitle>
            <itunes:summary>Stop 5Bought by Alfonso Ossorio in 1951, Lavender Mist exemplifies Pollock’s interest in experimentation and in expanding the language of traditional easel painting. </itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/pollock-number-1-lavender-mist-1950.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>3:01</itunes:duration>
            <itunes:order>5</itunes:order>
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            <title>Reforming Figure, 1952 by Alfonso Ossorio</title>
            <link>http://6b99446a12fde22e4049-c2873ca4de6e773d1260dfebf61d799b.r3.cf1.rackcdn.com/2013-02-09-angels-demons-and-savages-audio-tour-stop-06.mp3</link>
            <description><![CDATA[<p>Stop 6<br />In Reforming Figure there is tremendous detail and layering; Ossorio creates an incredible sense of veils, forms, and color.</p>]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Sat, 09 Feb 2013 09:00:00 -0500</pubDate>
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            <itunes:subtitle>Stop 6</itunes:subtitle>
            <itunes:summary>Stop 6In Reforming Figure there is tremendous detail and layering; Ossorio creates an incredible sense of veils, forms, and color. </itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/ossorio-reforming-figure-1952.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>2:23</itunes:duration>
            <itunes:order>6</itunes:order>
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            <title>The Child Returns, 1950 by Alfonso Ossorio</title>
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            <description><![CDATA[<p>Stop 7<br />The Child Return is one in a series of highly personal paintings made by Ossorfio during his visit to the Philippines, filled with references to his Catholic faith and themes of birth, childhood, family life, and death.</p>]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
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            <itunes:subtitle>Stop 7</itunes:subtitle>
            <itunes:summary>Stop 7The Child Return is one in a series of highly personal paintings made by Ossorfio during his visit to the Philippines, filled with references to his Catholic faith and themes of birth, childhood, family life, and death.</itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2013-pollock-ossorio-dubuffet/ossorio-child-returns-1950.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:45</itunes:duration>
            <itunes:order>7</itunes:order>
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