The Center for Art and Knowledge offers courses in art history, museum studies, and modern and contemporary art theory and practice. Courses are offered every fall and spring and are in collaboration with regional universities. To enroll in our joint course offerings with the University of Maryland, visit http://oes.umd.edu/phillips-collection.
SPRING 2018 COURSES
Workshops do not post to the UMD transcript and do not count towards a student's academic record. Neither grade nor credit is earned. Students do not receive a University ID card and will not have access to University facilities such as recreation, transportation, and campus events. Workshop students may access UMD Libraries as “Visitors”; see https://www.lib.umd.edu/about/visitors.
Enrollment: November 1, 2017 to January 24, 2018
Members of The Phillips Collection Fee: $383.00
Non-member Fee: $1,089.00
SPRING 2017 COURSE
SPRING 2016 COURSE
Art in Modern East Asia
Wednesdays, January 13–April 20, 2016
Instructor: Chinghsin Wu, The Phillips Collection–George Washington University Postdoctoral Fellow 2015–2016
This course introduces several crucial transformations and developments in the art and visual cultures of Modern East Asia, including Japan, China, Korea, and Taiwan. The first part of the course will examine the emerging concept of "Art" in East Asia and the related art systems that were established in the wake of successive encounters with Western culture or modern trends. We will focus on several avant-garde art movements that echoed but also distinguished themselves from parallel movements in Europe, including Impressionism, Post-impressionism, Fauvism, Cubism, Expressionism, Dadaism, and Surrealism. The second part of the course focuses on several key trends in the visual culture of modern East Asia, including the reevaluation and innovation of traditional painting techniques, the utilization of Western art media to revisualize historical events and national identities, the emergence of new female images in modern Asia, and development of imperial, colonial, and aboriginal art.
In collaboration with George Washington University